The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China. In this animation, layers of images, abstract forms, meaning, and metaphorical associations slowly unfold at the same time that more visual myths are created. The identity of the protagonist, a red-coated official, is indeterminate and suggestive of both the mercantilist policies that led to the Opium Wars with China and the cultural authority claimed by the Company school of painting over colonial India. Though situated in a particular historical context, The Last Post remains an open-ended narrative with infinite possible interpretations. The work’s scope and complexity is expanded further by its sound element, which was created by Du Yun, an artist and composer based in New York City.
Shahzia Sikander is known for her richly layered and intricately detailed graphite, ink, and gouache paintings. She studied miniature painting in the late 1980s at the National College of Art in Lahore, Pakistan, with the forms and techniques of Indo-Persian miniatures heavily influencing her approach. Sikander’s practice explores the concepts of “East” and “West,” using traditional strategies of storytelling and themes of popular mythology to deconstruct the postcolonial legacy of the Indo-Persian region. In 2001, Sikander began to employ digital animation to create video works based on her drawings. Her practice traverses painting, drawing, animation, installation, and video, to radically rearticulate the tradition of miniature painting. Sikhander uses the technique to address contemporary issues, including the Western fear of Islam, the globalization of Western ways of living, and gender identity, focusing specifically on Muslim women in the West. The artist’s use of a traditional and scholarly approach to discuss the conflicts in the global condition creates a unique oeuvre–the digital animations, breathing new life into Mughal-era miniature painting.
In Rogers’ Columbine works, the artist explores the 1999 high school shooting that took place in Littleton, Colorado, claiming 34 victims...
Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...
The best East Asian films of 2023 | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Film & TV Dazed Review 2023 From Ryusuke Hamaguchi’s long-awaited Evil Does Not Exist, to Hirokazu Kore-eda’s ‘absolute masterpiece’ Monster 12 December 2023 Text James Balmont The year 2023, now coming to a bitter end, was jam-packed with all kinds of zeitgeist-piercing movies...
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean Miotte — Galerie Almine Rech — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Jean Miotte Exposition Peinture Jean Miotte, Sans titre, 2000 (Détail) Acrylique sur toile — 99,1 × 81,3 × 2,5 cm Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Encore 11 jours : 18 novembre → 22 décembre 2023 Jean Miotte (1926-2016), qui a exposé à Paris avec Joan Mitchell, Jean-Paul Riopelle et Sam Francis, est une des figures éminentes de l’abstraction lyrique...
Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exhibition Mixed media Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...
Weekly Southeast Asia Radar: New pandemic movements in SEA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar October 15, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
“Guards at the Taj”: The Bloody Brushstrokes of Beauty | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Singapore Repertory Theatre November 27, 2018 By Naeem Kapadia (885 words, four-minute read) First there’s its scale – with its magnificent marble dome, soaring pillars and lush surrounding gardens...
Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Mumbai blog Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre is an unprecedented but surface-level survey for a broad audience Kabir Jhala 9 February 2024 Share Installation view of Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre, Mumbai Courtesy of NMACC When Nita Ambani, India’s wealthiest woman, opened her eponymous cultural centre in Mumbai last March, many in the art world were intrigued...
Jean Miotte — Almine Rech Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jean Miotte — Almine Rech Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Jean Miotte Exhibition Painting Jean Miotte, Sans titre, 2000 (Détail) Acrylic on canvas — 39 × 32 × 1 in Courtesy of the artist & Galerie Almine Rech, Paris Jean Miotte Ends in 11 days: November 18 → December 22, 2023 Jean Miotte is one of the prominent figures of lyrical abstraction within the New School of Paris...
Organizers decry last-minute cancelation of Hanoi EDM festival (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 27, 2018 An EDM (electronic dance music) festival scheduled to take place just outside Hanoi from November 23 to 25 was asked to cancel only hours before its opening, despite sold tickets and foreign and local artists and volunteers already heading to the venue...