9:52 minutes
The Invaders by Ghita Skali is a tale that bites you. This short film, staged in the first few months of the COVID-19 pandemic, in a broader context of increasingly xenophobic and racist policies in western countries, uses comedy to flip the stigma. First, Skali sets the scene: Once upon a time, a virus came and changed the plan . A flight map is turned upside down, excerpts from television news and papers are tricked and Europeans are now the unwanted intruders in the countries of the Global South. All is familiar, but everything is different. Then, enters the main character, Cheikha Houria, a popular singer and dancer, whose daily life is shaken up when, one night, she witnesses the arrival of the invaders, some weird creatures who arrived from far away to colonise the world in their spaceship in the shape of President brand camembert cheese. Inspired by the remake of the 1970s eponymous sketch by the French humorists Les inconnus that turns the original aliens into migrants, Skali’s film features the other invaders, who are never named as such: the westerners who set up the empires that, under other names, are still very alive today. Walking a thin line between realness and absurdity, fact and fiction, The Invaders turns humour and irony into a weapon, addressing the violence of colonial history and extreme right discourses around otherness and migration.
Ghita Skali is a visual artist that uses odd news, rumors and propaganda to disrupt institutional power structures such as the western contemporary art world, state oppression and government politics. Her work often ends up as a strong critique with outcomes that penetrate channels that go beyond the exhibition space taking the form of informal trade of goods, legal documents, and things you take home for a warm night tea.
Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental...
Le jeu d’illusions grinçantes du photographe Jeff Wall, à Bâle Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Boy Falls From Tree » (2010), de Jeff Wall...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
Weekly Southeast Asia Radar: Puja Pantai in Selangor; young Cambodian singers talk old music | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar AP January 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...
Phinthong provided 5,000 Euros to exchange for Zimbabwean dollars, the most devalued and worthless currency in the world...
Parrot Drawings or Paintings look like children’s drawings and seem quite innocent...
In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms....