175 x 200 cm
The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection. Various vanishing points and interior perspectives, like in another painting dated the same year called Continental Breakfast , create a complex matrix in which motifs, shadowy or geometric forms coexist to further confuse the map of this space. A disturbing yet alluring virtual reality composed of a medley of seemingly abstract designs is depicted through digital and painterly means. Architectural and landscape paintings in reflective metallic paints are characteristic of Ziegler’s work shown at the time in Archipeinture at Le Plateau, Paris and Camden Arts Centre, London in (2006) and in his solo show Enter Desire at Chisenhale Gallery, London (2005). He was then known for using an industrial phosphorescent material called Scotchlight for its contemporary glow in order to blur distinctions between reality and representation.
Toby Ziegler is a British artist whose work first came to view in an exhibition called Expander in 2004. His paintings are based on photographs that he digitally manipulates to render them more abstract. His sculptures are closer to being figures and it is in a figurative direction that his painting is now going. These sculptures, therefore, are important transitional works. Most of Ziegler’s sculptures are made out of cardboard or paper and covered in numerals which he employs to piece them together. Like the paintings, the sculptures emanate from digital images. He uses computer-aided design to generate line drawings and then, with scissors and glue, pieces them together. The forms of his sculptures have a relationship to Cubism, whose spatial complexity Ziegler admires, and perhaps also De Kooning for their sexual overtones. The numerals make oblique reference to his father’s mania for indexing and cataloguing but are also used in scaling up the works. Toby Ziegelr was born in 1972 in London. He lives and works in London.
Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
Louidgi Beltrame — La huaca pleure — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Louidgi Beltrame — La huaca pleure — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Louidgi Beltrame — La huaca pleure Exhibition Mixed media Upcoming Visuel créé par le Studio Kiosk, d’après une encre sur toile de Louidgi Beltrame Louidgi Beltrame La huaca pleure In about 1 month: January 21 → March 31, 2024 Louidgi Beltrame has been developing a research in Peru since 2012...
Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Natalia Jaime-Cortez — Hier j’ai vu une baleine dans la Seine Exposition Dessin, installations, techniques mixtes Hier j’ai vu une baleine dans la Seine 2023 Natalia Jaime-Cortez Natalia Jaime-Cortez Hier j’ai vu une baleine dans la Seine Encore environ 2 mois : 3 février → 30 mars 2024 Le travail de Natalia Jaime-Cortez se déploie, ou plutôt se déplie, et relève d’un engagement corporel de l’artiste dont les papiers suspendus viennent dessiner des lignes dans l’espace...
SEE WHAT SEE: SEA AT SGIFF 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By ants chua, Ruby Thiagarajan and Janiqueel (1,200 words, 4-minute read) In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF)...
Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza...
QALQALAH 1, an editorial project by Kadist Art Foundation and Bétonsalon – Centre for Art and Research, Paris >>> To download in the “Attachment section” on the right side of the page In echo of their respective programs, Kadist Art Foundation and Bétonsalon – Centre for Art and Research are launching the joint publication Qalqalah , a “reader” gathering contributions from artists and researchers on a variety of interlinked issues...
Artist Hajime Sorayama claims Beyoncé copied his work in Renaissance tour Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Intellectual property news Artist Hajime Sorayama claims Beyoncé copied his work in Renaissance tour The artist, known for his distinctive sexualised androids, took to Instagram to denounce what he claims are unauthorised uses of his work in the concert tour’s imagery Theo Belci 12 December 2023 Share Beyoncé performing in a mirrored, retrofuturist costume during her Renaissance World Tour Photo by Raph_PH, via Flickr The Japanese artist Hajime Sorayama has criticised superstar Beyoncé in an Instagram post, claiming the musician appropriated imagery from his trademark erotic robots in visuals and merchandise for her Renaissance tour—which grossed $575m and spawned a successful documentary ...
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...
Louidgi Beltrame — La huaca pleure — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Louidgi Beltrame — La huaca pleure — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Louidgi Beltrame — La huaca pleure Exposition Techniques mixtes À venir Visuel créé par le Studio Kiosk, d’après une encre sur toile de Louidgi Beltrame Louidgi Beltrame La huaca pleure Dans environ un mois : 21 janvier → 31 mars 2024 Louidgi Beltrame développe depuis 2012 une recherche au Pérou...
Artists Install AR Pig on UK buildings exposing links to harmful industrial food system - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — A virtual, female pig has appeared on top of Barclays’ Canary Wharf HQ, two Tesco stores in London and Liverpool, DEFRA and other locations in a new experimental augmented reality (AR) app created by artists, Naho Matsuda and collective A Drift of Us...