The Fifth Quarter

2005 - Painting (Painting)

175 x 200 cm

Toby Ziegler

location: London, United Kingdom
year born: 1972
gender: male
nationality: British

The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection. Various vanishing points and interior perspectives, like in another painting dated the same year called Continental Breakfast , create a complex matrix in which motifs, shadowy or geometric forms coexist to further confuse the map of this space. A disturbing yet alluring virtual reality composed of a medley of seemingly abstract designs is depicted through digital and painterly means. Architectural and landscape paintings in reflective metallic paints are characteristic of Ziegler’s work shown at the time in Archipeinture at Le Plateau, Paris and Camden Arts Centre, London in (2006) and in his solo show Enter Desire at Chisenhale Gallery, London (2005). He was then known for using an industrial phosphorescent material called Scotchlight for its contemporary glow in order to blur distinctions between reality and representation.


Toby Ziegler is a British artist whose work first came to view in an exhibition called Expander in 2004. His paintings are based on photographs that he digitally manipulates to render them more abstract. His sculptures are closer to being figures and it is in a figurative direction that his painting is now going. These sculptures, therefore, are important transitional works. Most of Ziegler’s sculptures are made out of cardboard or paper and covered in numerals which he employs to piece them together. Like the paintings, the sculptures emanate from digital images. He uses computer-aided design to generate line drawings and then, with scissors and glue, pieces them together. The forms of his sculptures have a relationship to Cubism, whose spatial complexity Ziegler admires, and perhaps also De Kooning for their sexual overtones. The numerals make oblique reference to his father’s mania for indexing and cataloguing but are also used in scaling up the works. Toby Ziegelr was born in 1972 in London. He lives and works in London.


Colors:



Other related works, blended automatically

Wagon Wheel
© » KADIST

Toby Ziegler

2007

Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure...

Plug the well ( July / August 2003)
© » KADIST

Keith Tyson

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

2012

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...

20
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

A vehicle with no Lights
© » KADIST

Ryan Gander

2004

A vehicle without light is a group of more personal photographs...

Line describing a cone
© » KADIST

Anthony McCall

1973

The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...

Nachbau
© » KADIST

Simon Starling

2007

Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...

One we are not
© » KADIST

Ryan Gander

2004

Ryan Gander is a collector...

Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

2003

In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...

Espadrilles
© » KADIST

Rosalind Nashashibi

2019

Rosalind Nashashibi’s paintings incorporate motifs drawn from her day-to-day environment, often reworked with multiple variations...

Meeting #100
© » KADIST

Jonathan Monk

Meeting #100 is one in a series of text works by Jonathan Monk...

11
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Beyond the White Walls
© » KADIST

Jeremy Deller

2012

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...

Untitled (Map)
© » KADIST

Charles Avery

2011

Charles Avery has been constructing a narrative in his work since 2004...