The Exchange (The Horse)
2010 - Drawing & Print (Drawing & Print)
82 x 21 x 43 cm / 9 x (29,7 x 21 cm)
Étienne Chambaud
In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes. For this project, Etienne Chambaud made The Exchange (The Horse) . A contract was written with the lawyer Daniel McClean to establish the conditions for the exhibition and conservation of copies of the sculptures exchanged between the collections of these three foundations. The copies become the new originals that can never be exhibited and must remain preserved in sealed crates. The contract, as well as other documents such as the proof of authenticity or the bailiff’s declaration regarding the sealing of the crates, constitute the only visible part of the work as evidence of its existence, while also defining its absence.
Étienne Chambaud’s artistic approach is nourished by his practice as a reader and the notion of intertextuality. It calls into question the modernist postulate of a work which is sufficient in itself by insisting on its historical and semantic inscription in a larger creative scheme. It is no longer a simple object made available to the spectator’s gaze, but the result of everything that preceded it. It never functions in isolation but finds its meaning or its interest in a permanent dialogue with other works. They thus enrich each other to gradually draw the vague contours of a constellation of common references. They function like palimpsests which keep the trace of a previous work while proposing a new composition, thus oscillating endlessly between an inevitable repetition and a horizon each time renewed.
Colors:
Related works sharing similar palette
© » KADIST
Eileen Quinlan
2016Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
© » KADIST
Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » KADIST
Bruce Conner
1995Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
© » KADIST
Andrea Bowers
2010The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
© » 1854 PHOTOGRAPHY
Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...
© » KADIST
Mariana Castillo Deball
Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...
© » KADIST
Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » KADIST
Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » ARTNEWS RETROSPECTIVE
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
© » KADIST
Milena Bonilla
2009Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
© » KADIST
Daniel Boccato
2017Birdstones is a series of flat concrete slabs made from moldings of different shapes, each with two small holes...
© » KADIST
Gan Chin Lee
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » ARTS EQUATOR
Transgression, triggers, and the thousand cuts of “Blunt Knife” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of the artist June 25, 2019 By Corrie Tan (2,700 words, 13 -minute read) Content Warning: Mentions of a sexual relationship involving a teenager This response contains major spoilers for Blunt Knife by Eng Kai Er and A Doll’s House by Theatre of Europe...