The End One

2005 - Painting (Painting)

Raymond Pettibon

location: Hermosa Beach, California
year born: 1957
gender: male
nationality: American
home town: Tucson, Arizona

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.


Before becoming famous in the art world, Raymond Pettibon’s punk-rock drawings were well-known in alternative scenes. His iconic album covers for bands such as Black Flag, Minuteman, and Sonic Youth have influenced younger artists who capture the intricacies of marginal youth and popular culture with a casual style. However, Pettibon’s graphic, comic-inspired black ink drawings of violent and antiauthoritarian subject matter remain unique.


Colors:



Related works featuring themes of: » Calligraphic, » City Scenes, » Collage, » Comic/Cartoon, » American

Office Voodoo
© » KADIST

Haegue Yang

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In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...

Captain X
© » KADIST

Luke Butler

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In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

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Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Its Always Fun to Live in This Country
© » KADIST

Eko Nugroho

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Bus Logos
© » KADIST

Yto Barrada

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The Crime of Art
© » KADIST

Kota Ezawa

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Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

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McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

Iris Tingitana Oxalis
© » KADIST

Yto Barrada

2007

This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...

Paint, Unpaint
© » KADIST

Kota Ezawa

2014

Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...

The Simpson Verdict
© » KADIST

Kota Ezawa

2002

The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

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For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...

Ed Ruscha's Poetry of the American Experience
© » ART & OBJECT

Ed Ruscha

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Two Eyes Two Mouth
© » KADIST

Erika Verzutti

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Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...

Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

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Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...

Vulnerabilia
© » KADIST

Jonathan Hernández

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