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Zaatari combines the skills of a historian, a curator and an artist. He is interested in salvaging and preserving the past, in challenging the perceived norms of history. ‘Diversity is the most important factor in resisting misrepresentation’ he stated. ‘Focusing on iniduality thus becomes a political mission.’ Akram Zaatari was born in 1966 in Saida, Lebanon. He lives and works in Beirut.
Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris Login Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Biennale de Lyon — 2024 Exhibition Mixed media Upcoming © Biennale de Lyon 2024 Biennale de Lyon 2024 In over 1 year: September 1, 2024 → January 1, 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010...
From the New World —Experimental Video Works Screening A4 x KADIST Video Library Screening Series at the Art Museum of Sichuan University Yin-Ju Chen, Keren Cytter, Harun Farocki, George Kuchar, Nguyen Trinh Thi, and Zhou Tao In 1965, the artist Nam June Paik bought a Sony camcorder that had just been released and took to the streets to photograph the Pope walking on Park Avenue...
Yétúndé Olagbaju’s On becoming a star series recuperates the figure of ‘Mammy’, a stereotype rooted in American slavery that typically depicts a larger, dark skinned woman as a maternal presence, often within a domestic setting, and typically taking care of white children...
Burning Questions: Is There Still Hope for Integrity and Intimacy in Online Performance? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 4, 2020 Artists today have to grapple with being true to their creative integrities while dealing with the limitations of tech platforms and live delivery methods...
Burning Questions: Tech in Performance: The Great Leveller or The Great Unequaliser? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 28, 2020 Using technology in performance isn’t new, but COVID-19 has forced more artists to explore the digital medium, dealing with lag, latency and liveness while rethinking audience engagement and accessibility...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
The acronym “CFL” stands for an existing light standard (Compact Fluorescent Light) as well as a standard nutrient (Cognitive Fooding Laboratory)...
German School Cancels Forensic Architecture Lecture on Police Killing Skip to content A video piece by Forensic Architecture screens during the Turner Prize Photocall at Tate Britian on September 24, 2018 in London, England (photo by Mark Milan/Getty Images) Over 200 students, faculty members, and alumni at Germany’s Rheinisch-Westfälische Technische Hochschule (RWTH) Aachen University signed an open letter published yesterday, December 12, condemning the school’s cancellation of a lecture with Forensic Architecture (FA), a research firm that investigates human rights concerns worldwide...