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Zaatari combines the skills of a historian, a curator and an artist. He is interested in salvaging and preserving the past, in challenging the perceived norms of history. ‘Diversity is the most important factor in resisting misrepresentation’ he stated. ‘Focusing on iniduality thus becomes a political mission.’ Akram Zaatari was born in 1966 in Saida, Lebanon. He lives and works in Beirut.
Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris Login Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Biennale de Lyon — 2024 Exhibition Mixed media Upcoming © Biennale de Lyon 2024 Biennale de Lyon 2024 In over 1 year: September 1, 2024 → January 1, 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
The acronym “CFL” stands for an existing light standard (Compact Fluorescent Light) as well as a standard nutrient (Cognitive Fooding Laboratory)...
The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010...
Burning Questions: Traditional Arts: The Forgotten COVID Casualty? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 28, 2020 While the pandemic has resulted in losses of jobs in the arts, less has been said about the fate of craftsmen, artisans and masters of intangible heritage and traditional arts...
Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Camille Esayan, Lara Bouvet — Corps composé(s) — Hôpital européen Georges-Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Camille Esayan, Lara Bouvet — Corps composé(s) Exhibition Collage, photography, mixed media © Camille Esayan Camille Esayan, Lara Bouvet Corps composé(s) Ends in 19 days: January 25 → March 1, 2024 Un projet de Camille Esayan et Lara Bouvet avec le Service de chirurgie cancérologique, gynécologique et du sein de l’Hôpital européen Georges-Pompidou, Paris...
5 Advantages of Using Photography Filters on Your Camera Home » 5 Advantages of Using Photography Filters on Your Camera ART PROJECTS Oct 31, 2023 Ξ Leave a comment 5 Advantages of Using Photography Filters on Your Camera posted by Kelly Schoessling What are the advantages of using photography filters with your camera when you take shots of a natural location? Here are five advantages of using photography filters...
Burning Questions: Can Critics Criticise during a Pandemic? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 5, 2020 As the work of artists evolve with the restrictions of COVID-19, do critics also need to reassess how they look at performance? Four critics, Loo Zihan, Teo Xiao Ting, Jocelyn Chng and Germaine Cheng discuss their responses as more and more performances go online, and whether it has led to a recalibration or softening of their critical eye...
Biennale de Lyon — 2024 — Usines Fagor — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Biennale de Lyon — 2024 — Usines Fagor — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Biennale de Lyon — 2024 Exposition Techniques mixtes À venir © Biennale de Lyon 2024 Biennale de Lyon 2024 Dans plus d’un an : 1 septembre 2024 → 1 janvier 2025 (Dates provisoires) Créée en 1991, la Biennale de Lyon est l’une des plus importantes biennales d’art contemporain au plan international et la première manifestation artistique d’envergure au plan national...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...