The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind. In the video, eight protagonists act out their daily lives. The setting is a soon-to-be-demolished public housing facility in Singapore, a country in transition from a mindset of Eastern collectivism to global neoliberalism. These individuals have lived hermetically and absurdly in their apartment space until this moment, when a magical and mysterious cloud appears, connecting their seemingly disjointed lives. It is a story about the tension between solitude and togetherness, privacy and communal experiences. The symbolic cloud embodies both divine illumination and hallucination.
Drawing from historical events, documentary footage, art history, music videos, and mythical stories, Ho Tzu Nyen’s films investigate the construction of history, the narrative of myth, and the plurality of identities. Nyen often collaborates with theater professionals, and the lighting in his films is meticulously orchestrated, the compositions highly aesthetic. Ho also practices painting, performance, and writing, exploring the many possible relationships between stills, painted images, and moving images. His first feature film, HERE , premiered at the 41st Director’s Fortnight at the Cannes Film Festival in 2009. He has exhibited widely, including at the Bienal de São Paulo (2004), the Fukuoka Asian Art Triennale (2005), the Singapore Biennale (2006), the Dojima River Biennale (2009), and the Singapore Pavilion of the Venice Biennale (2011).
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...