The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind. In the video, eight protagonists act out their daily lives. The setting is a soon-to-be-demolished public housing facility in Singapore, a country in transition from a mindset of Eastern collectivism to global neoliberalism. These individuals have lived hermetically and absurdly in their apartment space until this moment, when a magical and mysterious cloud appears, connecting their seemingly disjointed lives. It is a story about the tension between solitude and togetherness, privacy and communal experiences. The symbolic cloud embodies both divine illumination and hallucination.
Drawing from historical events, documentary footage, art history, music videos, and mythical stories, Ho Tzu Nyen’s films investigate the construction of history, the narrative of myth, and the plurality of identities. Nyen often collaborates with theater professionals, and the lighting in his films is meticulously orchestrated, the compositions highly aesthetic. Ho also practices painting, performance, and writing, exploring the many possible relationships between stills, painted images, and moving images. His first feature film, HERE , premiered at the 41st Director’s Fortnight at the Cannes Film Festival in 2009. He has exhibited widely, including at the Bienal de São Paulo (2004), the Fukuoka Asian Art Triennale (2005), the Singapore Biennale (2006), the Dojima River Biennale (2009), and the Singapore Pavilion of the Venice Biennale (2011).
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...