The Cloud of Unknowing
2011 - Film & Video (Film & Video)
Ho Tzu Nyen
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind. In the video, eight protagonists act out their daily lives. The setting is a soon-to-be-demolished public housing facility in Singapore, a country in transition from a mindset of Eastern collectivism to global neoliberalism. These individuals have lived hermetically and absurdly in their apartment space until this moment, when a magical and mysterious cloud appears, connecting their seemingly disjointed lives. It is a story about the tension between solitude and togetherness, privacy and communal experiences. The symbolic cloud embodies both divine illumination and hallucination.
Drawing from historical events, documentary footage, art history, music videos, and mythical stories, Ho Tzu Nyen’s films investigate the construction of history, the narrative of myth, and the plurality of identities. Nyen often collaborates with theater professionals, and the lighting in his films is meticulously orchestrated, the compositions highly aesthetic. Ho also practices painting, performance, and writing, exploring the many possible relationships between stills, painted images, and moving images. His first feature film, HERE , premiered at the 41st Director’s Fortnight at the Cannes Film Festival in 2009. He has exhibited widely, including at the Bienal de São Paulo (2004), the Fukuoka Asian Art Triennale (2005), the Singapore Biennale (2006), the Dojima River Biennale (2009), and the Singapore Pavilion of the Venice Biennale (2011).
Colors:
Related works featuring themes of: » Collective History, » Contemporary Conceptualism, » Film/Video, » Focus on the Social Margins, » Singaporean
© » KADIST
Vincent Leong
2012The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
© » KADIST
Yoshua Okón
2015Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Wong Wai Yin
2008In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
© » KADIST
Oded Hirsch
2012Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
© » KADIST
Joachim Koester
2006Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Simon Fujiwara
2016Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
© » KADIST
Oscar Munoz
2009In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
© » KADIST
Kwan Sheung Chi
2007A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
© » KADIST
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
© » KADIST
Kwan Sheung Chi
2012Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...
