The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind. In the video, eight protagonists act out their daily lives. The setting is a soon-to-be-demolished public housing facility in Singapore, a country in transition from a mindset of Eastern collectivism to global neoliberalism. These individuals have lived hermetically and absurdly in their apartment space until this moment, when a magical and mysterious cloud appears, connecting their seemingly disjointed lives. It is a story about the tension between solitude and togetherness, privacy and communal experiences. The symbolic cloud embodies both divine illumination and hallucination.
Drawing from historical events, documentary footage, art history, music videos, and mythical stories, Ho Tzu Nyen’s films investigate the construction of history, the narrative of myth, and the plurality of identities. Nyen often collaborates with theater professionals, and the lighting in his films is meticulously orchestrated, the compositions highly aesthetic. Ho also practices painting, performance, and writing, exploring the many possible relationships between stills, painted images, and moving images. His first feature film, HERE , premiered at the 41st Director’s Fortnight at the Cannes Film Festival in 2009. He has exhibited widely, including at the Bienal de São Paulo (2004), the Fukuoka Asian Art Triennale (2005), the Singapore Biennale (2006), the Dojima River Biennale (2009), and the Singapore Pavilion of the Venice Biennale (2011).
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
The work Calendars is composed of 1001 images of deserted public areas in Singapore printed on pages of a calendar set from the year of 2020 until 2096...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...
War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...