The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery. Each of the twenty-five frames depicts a classic breakdance move. Wearing a working-class outfit, Capistran intentionally emphasizes the vernacular aspect of this art form and his personal engagement challenges the hierarchy between street culture and high art.
Born in Guadalajara, Mexico, and raised in South Central Los Angeles, Juan Capistran was undocumented until midway through grade school. As a teenager he gravitated toward graffiti, punk rock, reggae, house music, and DJ culture as tools for crafting a hybrid identity. His work has diverse influences, from Malcolm X to Led Zeppelin and Richard Serra, and it quotes keenly and democratically, from gang colors to minimalist forms.
This work presents the image of an immolated monk engraved on a baseball bat...
A Sculptural Travertine Staircase Takes Centre Stage in RDAI’s Hermès Vienna Store Renovation - IGNANT Name RDAI Words Anna Dorothea Ker In the landmark-laden Graben District at the heart of Vienna, the interior architecture of a newly renovated and expanded Hermès store in an 18th-century building honors the arthistorical riches of its city...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance...
London’s Middle Eastern art sales have defied tensions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news London’s Middle Eastern art sales have defied tensions Auction purchases by Arab cultural entities overcome early uncertainties of Israel-Hamas war Melissa Gronlund 7 December 2023 Share Samia Halaby’s Seventh Cross No...
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
MoMA store recalls popular Yoshitomo Nara snow globes over ‘laceration hazard’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museum gifts news MoMA store recalls popular Yoshitomo Nara snow globes over ‘laceration hazard’ To date almost 40 of the cutesy snow globes that were sold last November have either fractured or cracked Benjamin Sutton 8 February 2024 Share Yoshitomo Nara's Little Wanderer snow globes The Museum of Modern Art (MoMA) in New York has recalled one of its store’s popular holiday gift items, a series of snow globes designed by Japanese contemporary artist Yoshitomo Nara, because they “can crack or fracture, posing a laceration hazard”...
Why are ever more artists ditching dealers? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Commercial galleries analysis Why are ever more artists ditching dealers? From the emerging to the blue-chip, artists are trading gallery representation for agents or outright autonomy Anny Shaw 12 December 2023 Share Rachel Jones (top) and Peter Doig (right) have left their galleries, while Nick Hornby says he has to explore “atypical scenarios” to realise public sculptures such as Power over others is Weakness disguised as Strength (2023, left) Jones: Photo Adama Jalloh, Courtesy Thaddaeus Ropac gallery...
In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons...
Lydia Gifford composes her work between pictorial expression and its inscription within an exhibition space...
Au Musée Picasso, à Paris, Léonce Rosenberg ou les mésaventures d’un marchand d’art Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Le Combat » (1928), de Giorgio De Chirico...