The American War
2005 - Photography (Photography)
Harrell Fletcher
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history. The project began in 2005 when Fletcher visited the War Remnants Museum in Ho Chi Minh City. He was shocked by images that depicted the lasting effects of the war and the atrocities committed by the United States. Fletcher felt it important that these images be seen and discussed within an American context and, using a handheld digital camera, he photographed all of the museum’s images and labels. At that moment, Fletcher’s project resonated directly with the American intervention in Iraq and Afghanistan. The artist took extreme care in shooting the pictures from an angle that would diminish the flash reflection on the surfaces, and paid attention to capture the wall colors and the explanatory labels. In this sense, Fletcher’s re-creation of the Vietnamese installation not only shares important information but also recontextualizes it in a way that comments on the subjective and constructed nature of representation, both artistic and historic.
Harrell Fletcher’s socially-engaged, interdisciplinary projects reflect his keen critique of socio-political phenomena that involves the United States.
Colors:
Related works featuring themes of: » Artist as Ethnographer, » Chance, » Collective History, » Contemporary Participation, » Cultural Commentary, » American
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