The American War

2005 - Photography (Photography)

Harrell Fletcher

location: Portland, Oregon
year born: 1967
gender: male
nationality: American
home town: Santa Maria, California

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history. The project began in 2005 when Fletcher visited the War Remnants Museum in Ho Chi Minh City. He was shocked by images that depicted the lasting effects of the war and the atrocities committed by the United States. Fletcher felt it important that these images be seen and discussed within an American context and, using a handheld digital camera, he photographed all of the museum’s images and labels. At that moment, Fletcher’s project resonated directly with the American intervention in Iraq and Afghanistan. The artist took extreme care in shooting the pictures from an angle that would diminish the flash reflection on the surfaces, and paid attention to capture the wall colors and the explanatory labels. In this sense, Fletcher’s re-creation of the Vietnamese installation not only shares important information but also recontextualizes it in a way that comments on the subjective and constructed nature of representation, both artistic and historic.


Harrell Fletcher’s socially-engaged, interdisciplinary projects reflect his keen critique of socio-political phenomena that involves the United States.


Colors:



Untitled
© » KADIST

Barry McGee

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

The Crime of Art
© » KADIST

Kota Ezawa

2017

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

Lowrider Builder and Child
© » KADIST

Liz Cohen

2012

The photographic work Lowrider Builder and Child is a companion piece to the video Hydroforce , which features Cohen in the late stage of her pregnancy posing atop a German car that she transformed into a lowrider in a period of ten years...

Untitled 3737 and Untitled 5157
© » KADIST

Todd Hido

2005

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

Related works featuring themes of: » Artist as Ethnographer, » Chance, » Collective History, » Contemporary Participation, » Cultural Commentary, » American  
» see more

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Patient Admission, US Naval Hospital Ship Mercy, Vietnam
© » KADIST

An-My LE

2010

The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...

Sundown (Number Twenty)
© » KADIST

Xaviera Simmons

2019

Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...

Other related works, blended automatically  
» see more

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Do ut des (I give that you may give back)
© » KADIST

Mariana Castillo Deball

2009

Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...

Sundown (Number Twenty)
© » KADIST

Xaviera Simmons

2019

Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...

Related works sharing similar palette  
» see more

Delving Deeper
© » MODERN MAG

Delving Deeper | Modern Magazine HOME DESIGN EXHIBITIONS ARCHITECTURE FEATURES AGENDA ADVERTISE Nikko cabinet designed by Shiro Kuramata, 1982...

Talk by Daniel McCLean
© » KADIST

Tuesday, March 30, 2010, 7 pm at Kadist Art Foundation Daniel McClean is leading two practices in parallel, one as a lawyer and the other as an independent curator...

Art Stage Singapore Cancelled - via The Art Newspaper
© » LARRY'S LIST

Fair director Lorenzo Rudolf says the "given circumstances" leave no other choice...

Ranking 2023’s food-inspired beauty trends by how tasty they are
© » DAZED DIGITAL

Ranking 2023’s food-inspired beauty trends by how tasty they are | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Beauty Beauty Feature From latte make-up and blueberry milk nails to cinnamon butter cookie hair, beauty trends in 2023 were all about looking and feeling tasty...

This Exhibition
© » KADIST

Tino Sehgal

2004

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

2012

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...

Related works found in the same semantic group  
» see more

Ho! Ho! Ho! Merry Christmas: Battle of Easel Point - Memorial Project Okinawa
© » KADIST

Jun Nguyen-Hatsushiba

2003

Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...

Danh Vo: Les fleurs d'intérieur
© » KADIST

Danh Vo: Les fleurs d’intérieur Buenos Aires, April 3rd 2009 To whom it may concern, Some years ago, I was looking at some old newspapers and found among them ‘The New York Times’ from January 28, 1973...

Danh Vo: Les fleurs d'intérieur
© » KADIST

Danh Vo: Les fleurs d’intérieur Buenos Aires, April 3rd 2009 To whom it may concern, Some years ago, I was looking at some old newspapers and found among them ‘The New York Times’ from January 28, 1973...

Layers of Detail
© » AESTHETICA

Aesthetica Magazine - Layers of Detail Layers of Detail Photographer An-My Lê (b...