18 min
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit. Remotely driven footage of daily life in prison, the banality of a sink, of a plant or a plate of pasta are offtset against scenes of life outside, in the streets of Paris, a night of love or seascapes. The dialogue between the inmate and the artist occurs by text messages and captures this exceptional situation of exchange, sharing et perhaps dependence. As the tie between the two men develops, the confrontation between life inside and out of those walls intensifies. Like his previous work, it is interesting to compare this with the documentaries screened in the general media about violence in the suburbs or in prisons.
Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris. His work later evolved into video, sculpture, and installation, but remained focused on issues related to immigration and the social-economic processes that lead to integration or exclusion. He describes contemporary society implicitly, by outlining its contours. With a critical take on the mass media image, the subjects of his photographs and videos are people left behind at the crossroads of integration and exclusion. Preceded by a long immersion phase, each of Mohamed Bourouissa’s projects builds a new enunciation situation.
London’s Tate Modern encouraged visitors to browse through its digitised collection of over 77 thousand artworks, New York’s Metropolitan Museum of Art produced 360° virtual tours of its spaces and, closer home, the National Museum in New Delhi kept up with its patrons through regular informative posts on Instagram....
Confronting Truths in Ho Tzu Nyen’s “The Mysterious Lai Teck” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of the artist May 2, 2019 By Patricia Tobin (736 words, 3-minute read) Spoiler Alert: This review contains spoilers for The Mysterious Lai Teck , which will run from 17 to 19 May at the Singapore International Festival of Arts...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Arnolfini censorship row deepens as artists refuse to work with the Bristol institution Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Censorship news Arnolfini censorship row deepens as artists refuse to work with the Bristol institution The dispute was sparked by a decision to cancel Palestine Film Festival events Gareth Harris 14 December 2023 Share Signatories say that the Arnolfini's cancellation is "part of an alarming pattern of censorship and repression within the arts sector" Courtesy Artists for Palestine UK More than 1,000 cultural figures—including the artists Ben Rivers, Brian Eno and Tai Shani—are refusing to work with the Arnolfini contemporary arts centre in Bristol, UK, after the institution cancelled two events last month as part of the city’s Palestine Film Festival...
Weekly Southeast Asia Radar: The performativity of Duterte; Puppets in a pandemic | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Pesta Boneka Instagram November 5, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
The Seen and Unseen: A Search For Self | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Claudia Dian February 25, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 4-minute read) “Embracing life means embracing every element of dualism in it...
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Hama Goro works with a traditional method called the Bogolan technique, which is inspired by a method used in Mali to color clothes...
11 Contemporary Artists Channeling Pierre Bonnard’s Post-Impressionist Vision | Artsy Skip to Main Content Art 11 Contemporary Artists Channeling Pierre Bonnard’s Post-Impressionist Vision Cath Pound Jan 22, 2024 5:56PM Considered one of the greatest colorists of modern art, Pierre Bonnard reveled in the simple joys of daily life...
The top ArtsEquator articles of 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography December 31, 2019 Here’s a list of the top 10 ArtsEquator articles in 2019: Enter Stage Right: Tay Tong by Art sEquator “It is amazing how one’s identity is so associated with one’s job...
The Artful Life: 5 Things Galerie Editors Love This Week - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Swarovski has opened doors to a new flagship on Fifth Avenue...
"A Land Imagined" and The Ghosts We Forget | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography February 21, 2019 By Alfonse Chiu (1200 words, six-minute read) The three definitions of the word “ghost” from the Oxford dictionary are as follows: the first, “an apparition of a dead person which is believed to appear or become manifest to the living”; the second, “a slight trace or vestige of something”; and the third, “a faint secondary image caused by a fault in an optical system, duplicate signal transmission, etc.” In all three, presence is a suggestion of memory, amenable to corrections by means of a quick scrub of one’s spectacles...