18 min
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit. Remotely driven footage of daily life in prison, the banality of a sink, of a plant or a plate of pasta are offtset against scenes of life outside, in the streets of Paris, a night of love or seascapes. The dialogue between the inmate and the artist occurs by text messages and captures this exceptional situation of exchange, sharing et perhaps dependence. As the tie between the two men develops, the confrontation between life inside and out of those walls intensifies. Like his previous work, it is interesting to compare this with the documentaries screened in the general media about violence in the suburbs or in prisons.
Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris. His work later evolved into video, sculpture, and installation, but remained focused on issues related to immigration and the social-economic processes that lead to integration or exclusion. He describes contemporary society implicitly, by outlining its contours. With a critical take on the mass media image, the subjects of his photographs and videos are people left behind at the crossroads of integration and exclusion. Preceded by a long immersion phase, each of Mohamed Bourouissa’s projects builds a new enunciation situation.
Dave is part of Mohamed Bourouissa’s project Horse Day , which stemmed from a residency the artist conducted in Philadelphia in 2014...
"A Land Imagined" and The Ghosts We Forget | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography February 21, 2019 By Alfonse Chiu (1200 words, six-minute read) The three definitions of the word “ghost” from the Oxford dictionary are as follows: the first, “an apparition of a dead person which is believed to appear or become manifest to the living”; the second, “a slight trace or vestige of something”; and the third, “a faint secondary image caused by a fault in an optical system, duplicate signal transmission, etc.” In all three, presence is a suggestion of memory, amenable to corrections by means of a quick scrub of one’s spectacles...
Dave is part of Mohamed Bourouissa’s project Horse Day , which stemmed from a residency the artist conducted in Philadelphia in 2014...
After seeing Martha Camarillo’s photographs of horsemen in Strawberry Mansion -an impoverished Philadelphia neighbourhood- Mohamed Bourouissa travelled to see the urban stables run by African American men...
In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs)...
Mohamed Bourouissa’s “ Shoplifters” Series was created in 2014-2015, in a neighborhood supermarket in Lefferts Garden, Brooklyn...
The series Clouds paintings by Benoît Maire features oil on canvas works in varying format, in which the artist depicts clouds, using a variety of tools, including a spray gun, paintbrush, or palette knife...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
“Untitled” is inspired by the movie “Opening Night” by John Cassavetes with Gena Rowlands playing the role of a fallen woman, anguished by her distressed life...
In Beyond Guilt the two artists create a portrait of our generation in three parts...
Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...