Témoin rouge
2013 - Drawing & Print (Drawing & Print)
Clément Rodzielski
Like many artists of his generation, Clément Rodzielski (born in 1979 in Albi, France) is a well-informed onlooker who works with existing images in order to reveal their mechanisms of construction and circulation. But he concentrates in particular on images which are under our eyes but not seen any longer (motifs found on internet, murals in the urban settings) or don’t circulate (retro cinema posters). Based on these images, he isolates motifs or signs, multiplies different supports and gestures in order to reveal their materiality (wallpainting, collage, cut-outs, photocopies, stencil, spray paint…) and reframe them so they can be seen better. Making abstract images and de-contextualizing them enables better attention on their pictoriality. Repeating the same operations in order to exhaust any possibilities of a gesture, Rodzielski’s practice involves numerous series. From pictorial spaces to exhibition spaces, in situ work reclaims its rights as he orchestrates his hang like installation with variable combinations.
Colors:
Related works sharing similar palette
© » FRANCE24
Climate activists hurl soup at the Mona Lisa at the Louvre Museum in Paris Skip to main content Climate activists hurl soup at the Mona Lisa at the Louvre Museum in Paris Two protesters from a climate and agricultural NGO hurled soup onto the bulletproof glass protecting Leonardo da Vinci's "Mona Lisa" painting in Paris, demanding the right to "healthy and sustainable food"...
© » ARTS EQUATOR
Cakap-Cakap: Interview with Anaïs López for The Migrant | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 28, 2021 In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with visual artist Anaïs López about her multimedia exhibition The Migrant which is currently showing at the Chapel Gallery, Objectifs...
© » ARTS EQUATOR
Podcast 70: The Hawker & Rumah Dayak | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of The Second Breakfast Company & Black Alley Media December 7, 2019 In this latest podcast episode, Kathy Rowland, Matthew Lyon and Naeem Kapadia discuss recent productions The Hawker by Second Breakfast Company, an immersive piece that pays homage to individuals in a hawker centre, and Rumah Dayak by new theatre collective Rupa co.lab, which puts the experiences of troubled Malay youths centrestage...
© » KADIST
Takeshi Murata
2010If one had been guessing at Takeshi Murata’s criticism of American consumerist culture up until watching Infinite Doors , it would be solidified after hearing the announcer from The Price is Right squawk prizes one after the next...
© » KADIST
Karen Lamassonne
1989Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...
© » KADIST
Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
© » KADIST
Jumana Manna
2015Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics...
© » ARTS EQUATOR
KNOTS: An open letter to 艺族 STRANGER | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Pond Photography September 19, 2019 By Ke Weiliang (1,131 words, 6-minute read) Dear 艺族 STRANGER, After spending my Saturday afternoon with you at the Esplanade Theatre Studio, I struggled long and hard to make sense of the titular ‘knots’ that your inaugural play endeavoured to grapple with...
© » BROOKLYN STREET ART
The Yok & Sheryo: “Yeahnahnesia” A Mystical Land and Guide | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the realm where imagination dances with audacity, Yok & Sheryo, the dynamic duo hailing from the crossroads of New York, Australia, and Asia, have conjured up a whimsical masterpiece, aptly titled “Yeahnahnesia.” Published in collaboration with the Art Gallery Western Australia, this book is a memoir and fantasy of creativity and storytelling that makes a reader question the boundaries of reality and fiction...
© » ARTS EQUATOR
Open Call for AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 12, 2021 ArtsEquator and Goethe-Institut Singapore are pleased to announce the launch of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022 ...
© » KADIST
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...