Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure. The ends, protected by two, cut-open tennis balls, recall the legs of a walker. For Rantanen’s second solo exhibition at Jancar Jones Gallery, San Francisco in 2010, one pole was placed inside the gallery while the other was located outside. This visual echo both suggested reflection and called attention to the physical viewing conditions. The muffled poles seemed to connect the spaces, to hold them up and together, while the fixity of their positions was in tension with the idea of movement suggested by the allusion to a walking-aid.
Chadwick Rantanen is an emerging, Los Angeles-based artist. Unlike his previous works, which were rather influenced by arte-povera sculpture, his recent pieces are closer to the aesthetics, language, and materials of industrial design.
His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Reeder’s works often start with language—and his Pasta Paintings are no different...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...
The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...
Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...