74 minutes
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba. The film begins with the voice of Tilda Swinton narrating a manifesto of artists’ rights written by Bruguera in which she expresses her views on art, our universal right to both enjoy and create art, and the duty that artists have to dissent. The film then captures a series of therapy sessions between Bruguera and Dr. Frank M. Ochberg—the founding father of trauma therapy, particularly PTSD and Stockholm Syndrome—where Bruguera describes with great candor and earnestness several traumatic experiences such as the betrayal by her father who handed her to Cuban secret service, and her imprisonment in Havana years later after advocating for freedom of expression. Their conversations expose an intimate yet profound analysis of Cuba, surveillance and the politics of repression embedded in government and family structures.
Lynn Hershman Leeson is a celebrated Bay Area artist and filmmaker internationally renowned for her pioneering use of new technologies to explore key social issues. Her prolific body of work spans over four decades: from her early conceptual and performance works where she constructed an ‘official’ civilian record for her alter ego Roberta Breitmore, to her more recent works that intersect with the field of science to explore themes of identity, privacy, surveillance and the complex relationship between humans and technology, and the real and the virtual world. Hershman Leeson also addresses these key themes through her filmmaking, which is highly idiosyncratic and socially engaged. A notable example is her acclaimed documentary !Women Art Revolution , which focuses on the Feminist movement in the USA.
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...
I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Priapus Agonistes by Mary Reid Kelley and Patrick Kelley is the first work in The Minotaur Trilogy (2013-2015), a trio of videos that reimagine the Greek myth of the Minotaur...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico...
The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...
The theme of the end of the world, of the last man on earth, recurs in our literary and cinematographic culture and in our imaginary: “we had this dream before, the dream that we’re alone.” In The Secret Life of Things , the narrator presents himself as an enthusiast and expert on films announcing the end of the world and those staging someone waking up to discover that they are the only survivor on earth...
A minute Ago starts with a hailstorm pelting down unexpectedly on a quiet beach in Siberia...
Rabbithole by Chitra Ganesh is a digital animation that refigures a fundamental plot device in myths and fables...
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
The title of Rainbow Body by Chitra Ganesh refers to an elevated state of, or metaphor for, the consciousness transformation known as a rainbow body...
Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture ...