Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program. T. Hong’s research is not only an effort to revisit a dark time that complicates certain histories, but more importantly an investigation of how violence is enacted in the name of rationality.
James T. Hong is an Asian-American filmmaker and artist whose works focus on controversial race and class issues, and historical conflicts in Asia. His film, 731: Two Versions of Hell (2007), was awarded the Best World Documentary Award at the Jihlava International Festival in 2007. Other film productions include Lessons of the Blood (2010) and The Turner Film Diaries (2012).
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...