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Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

Concerning his objects, Pozarek often relies on chance to guide him...

In Action no...

Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...

Hong Kong art space Current Plans goes into ‘hibernation’, but first, an overnight farewell performance and podcast in its Sham Shui Po home...

Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky...

They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness...

Transgression, triggers, and the thousand cuts of “Blunt Knife” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of the artist June 25, 2019 By Corrie Tan (2,700 words, 13 -minute read) Content Warning: Mentions of a sexual relationship involving a teenager This response contains major spoilers for Blunt Knife by Eng Kai Er and A Doll’s House by Theatre of Europe...

On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening...

Squid Currency is a series of 13 non-calibrated double-sided tin coins made using a casting technique dating back to Neolithic times where cuttlebones (squid bones) were carved by hand and then used as a mold...

Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...

Marina Xenofontos "Public Domain" Camden Arts Centre / London | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

Asli Çavusoglu is in residence at KADIST Paris from February to May 2020 to develop a project based on previous research she conducted on colors, extending her interest for their political histories towards the production of fabrics colored by naturally cultivated and fairly distributed vegetables, fruits and other edible plants...

I like to think (and the sooner the better!) of a cybernetic meadow where mammals and computers live together in mutually programming harmony like pure water touching clear sky...

This work exemplifies George Pfau’s interest in zombies and liminal embodiment...

In 1970, Ruscha began a series of paintings made from stains...

Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...

Let’s get digital: 12 online efforts by Southeast Asian artists and creatives | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 22, 2020 1...

The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...