9 min 57 sec
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization. The images show the diversity of forms of life on earth. These forms are associated with texts that relay a form of propaganda. Interviews are conducted, and often refer to the most urgent issues concerning humanity. The interviews are the revealers of fear and anxiety that contaminate the entire film. The video has the effectiveness of a propaganda film while opening us to irrational and poetic images, as can still be the theme of the conquest of space. Like all Aranda’s works, the purpose of this video is related to our experience of space that has been diverted to be thought of as a means of subjugation and control.
Julieta Aranda is a contemporary artist whose explorations traverse installation, video, and print media. Aranda has a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art making. She is currently based in Berlin and New York City. She holds a degree from Columbia University and is the Editor of e-Flux. For many years, Aranda has been interested in design and architecture. She observes the ways through which planning of public space; architecture and design are often thought of and employed as a way to control the body. These city-planning devices establish physical frontiers that respond to the fences of information and knowledge in our age of hyper-connectivity. These themes have lead the artist to take an interest in the notions of time, circulation and imagination by examining social interactions and the role that the circulation of objects plays in the cycle of production and consumption. She seeks, by highlighting its arbitrary dimension, alternatives to the experience of time.
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Corey McCorkle’s 2016 installation Pendulum is developed around the Cavendish family and their role in importing bananas to Europe...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...
Searching for We’wha is composed of five photographic triptychs combining photographs from the American West (New Mexico and Arizona) with excerpts from American Indian poetry in an attempt to reconstruct imaginary aspects of the life of We’Wha, a famous member of the Zuni tribe, who was born male but who lived a feminine gender expression...
Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
The Planets, Chapter 32 (2017) is a short video that depicts the world at a time of great anxiety...
Historical representations of the female form and the clichés and misunderstandings that surround them have been the subject of recent research and historical revision...