Sweet Jesus

2016 - Installation (Installation)

8:32 min.

Lutz Bacher


Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1. Lutz has edited the recording by slowing it down slightly and adding background sound from the same recording. In Lutz’s edit, these are all the names of the ancestors of Jesus leading up to Joseph, but she leaves Jesus out of it, then reverses chronologically. As Jones reads, the sound of the names themselves cycle between common, vaguely familiar, and foreign to the point of sounding like a different language, forcing the listener to question the content and context, place and time continually, an exercise in questioning reality.


In a career spanning more than four decades, Lutz Bacher (born 1952, lives in New York) has built a highly heterogeneous oeuvre that defies classification. The American artist, who adopted her male pseudonym when she first started out, has produced conceptual work in a variety of media. Bacher’s photographs, sculptural arrangements, videos, sound pieces, and expansive installations incorporate images and objects that are fixed in collective memory and easily retrieved: press photographs of public figures that, copied several times over, begin to lead a strangely aesthetic new life, found objects from thrift shops she integrates into her installations as objets trouvés and readymades. Her appropriations draw on vernacular and pop culture sources such as dime novels, porn magazines, self-help literature, and paparazzi snapshots. The human body, sexuality, power, and violence are key issues in her art, as is the deliberate blurring of the line separating the private from the public sphere.


Colors:



Related artist(s) to: Lutz Bacher » Pierre Huyghe, » Cerith Wyn Evans, » Christian Jankowski, » Ed Atkins, » Frieze Film, » Ken Okiishi, » Laure Prouvost, » Sarah McCrory, » Bik Van, » Cory Arcangel

Being and/or Time
© » KADIST

Ken Okiishi

Ken Okiishi’s work Being and/or Time consists of every image taken with Okiishi’s iPhone over the period of three years in his hometown of New York...

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

2008

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

Rooftop Routine
© » KADIST

Christian Jankowski

2008

In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...

Monteverdi Ici
© » KADIST

Laure Prouvost

2018

Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field...

Monteverdi Ici – Deeply, Feeling Filling the World
© » KADIST

Laure Prouvost

2018

Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...

The Parle Ment Metal Woman Welcoming You
© » KADIST

Laure Prouvost

2017

The Parle Ment Metal Woman Welcoming You is a character originated from a series of works combining sculpture and video with a specific role— lying on the floor playing a romantic elevator tune, this Metal Woman welcomes and flirts with viewers in the space where she is posed...

Stong Sory Vegetables
© » KADIST

Laure Prouvost

2010

In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling...