Sweet Jesus

A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...

In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...

Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...

Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...

Who (hearts) data? I do...

Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...

Art Institute of Chicago Workers Ratify First Contract | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

The Missing Circle , curated by Magalí Arriola Plan your visit to KADIST San Francisco With works by Pável Aguilar, Carlos Amorales, Edgardo Aragón, Jorge Julián Aristizábal, Adriana Bustos, Fredi Casco, Rometti Costales, Aria Dean, Sam Durant, Pierre Huyghe, Cristóbal Lehyt, Jesse Lerner, Alfredo López Morales, Noé Martinez, Cildo Meireles, Eustáquio Neves Juatuba, Nohemí Pérez, Naufus Ramírez Figueroa, and Carla Zaccagnini The Missing Circle is the culmination of an eponymous series of programs initiated by KADIST in 2017 and curated by Magalí Arriola across Latin America...

Ken Okiishi’s work Being and/or Time consists of every image taken with Okiishi’s iPhone over the period of three years in his hometown of New York...

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

The Parle Ment Metal Woman Welcoming You is a character originated from a series of works combining sculpture and video with a specific role— lying on the floor playing a romantic elevator tune, this Metal Woman welcomes and flirts with viewers in the space where she is posed...

Monteverdi Ici by Laure Prouvost is a non-narrative video work that depicts the back of the artist’s naked body standing, with her back towards the camera in a field...

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...

Danielle De Jesus’s Ode to Puerto Rican Bushwick Skip to content Danielle De Jesus, "Puerto Rican Rosary" (2023), oil and packing material on canvas, 48 x 60 inches (all images courtesy Danielle De Jesus) Artist Danielle De Jesus grew up near the intersection of Jefferson Street and Knickerbocker Avenue in a Puerto Rican household in Bushwick, a Brooklyn neighborhood that has steadily gentrified since the mid-aughts, when artists began establishing studios in the warehouses near Flushing Avenue...

Alex Graham La Luz De Jesus Gallery director Matthew Gardocki overheard a phrase that would go on to loosely inspire an upcoming show at the space: "I Saw You Post About It." He took that broad concept and invited a group of female artists—Isabella Cancino, Alex Graham, Mayon Hanania, Carmen McNall, Sea Monster, and Patty Spyrakos—to contribute to a show under that banner...

The series of drawings Cancha Abierta (Yellow Series) derive from a project in which Jesús ‘Bubu’ Negrón worked with the community of El Rosario, located in the region of Beni, Bolivia, approximately 500 meters away from the Mamoré River...