Suspension

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...

Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...

Physical and mental exploration have been founding elements in Joachim Koester’s research for several years...

In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...

Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...

In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...

SEE WHAT SEE (Feb 2021): DESIRE | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 18, 2021 By Joel Tan Welcome to my new column 1 Does “column” still make sense in the context of a website? for ArtsEquator, where every month I’ll be giving you a little line-up of Singaporean and other Southeast Asian streaming content that I think is interesting and worth talking about in my typically TLDR, long-winded way...

November 16 – December 22, 2023...

Tia-Thuy Nguyen — Sparkle in the vastness — Galerie Almine Rech, Matignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Tia-Thuy Nguyen — Sparkle in the vastness — Galerie Almine Rech, Matignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Tia-Thuy Nguyen — Sparkle in the vastness Exposition Peinture Tia Thuy Nguyen, série I, my, me, cloud (2018-2023) Courtesy de l’artiste et galerie Almine Rech Tia-Thuy Nguyen Sparkle in the vastness Encore 13 jours : 11 janvier → 24 février 2024 « Sparkle in the vastness » (Une étincelle dans l’immensité), la première exposition de Tia-Thuy Nguyen à la galerie Almine Rech présente une série de plus de vingt peintures de techniques mixtes issues de la série « I, my, me, cloud », en cours depuis 2018...

Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically...

Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

“Films inspired people a lot...

“While taking the picture it was challenging to make the boys sit properly without moving...

“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself...

When Need Moves the Earth is a three-channel video that combines elements of documentary footage, archival material and abstract aerial shots to encompass a painterly yet forthright exploration of a coal mine and a water dam in Thailand...

France is hardly immune to the private museum phenomenon...

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...

Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...