Suspension

2014 - Film & Video (Film & Video)

Sebastián Díaz Morales

location: Comodoro Rivadavia, Argentina
year born: 1975
gender: male
nationality: Argentinian

In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space. There is no special or definite way to understand it. And it is in this construction where Morales envisions the world as an endless void, or timeless gravity, that we fall deeper and deeper into our own humanity.


Raised in an isolated location between the Atlantic Ocean and the Patagonian Desert, Sebastián Díaz Morales believes his upbringing led him to a very particular way of perceiving the world around him. Using different filmic techniques, from narrative film-like works to found-footage, he explores the relationship between large-scale socio-political power dynamics and individual objectives. His films are often surreal, include no dialogue, and create a tension between reality, fiction, and representation in a visually abstract way. Morales’s films and videos are oftentimes surreal where social reality is reflected in a form that is visually abstract and fantasy-based. Most of his works study the relationships between a large-scale socio-political power and the actions of individuals; they reflect the interactions between people and their environment and social structures. The methods that Morales uses are twofold – in his works he uses both prepared scripts and the uncertainties of real life. His camera is focused on capturing documentary material, but he also uses footage that is experimental and that comes from the realms of science fiction.


Colors:



Related works of genres: » video artists, » video artist, » born 1975, » contemporary artist  
» see more

Ghost games
© » KADIST

Anri Sala

2002

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

Perpetual Motion Two
© » KADIST

Diana Thater

2005

In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...

The Parle Ment Metal Woman Welcoming You
© » KADIST

Laure Prouvost

2017

The Parle Ment Metal Woman Welcoming You is a character originated from a series of works combining sculpture and video with a specific role— lying on the floor playing a romantic elevator tune, this Metal Woman welcomes and flirts with viewers in the space where she is posed...

Monteverdi Ici – Deeply, Feeling Filling the World
© » KADIST

Laure Prouvost

2018

Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...

Related works featuring themes of: » Argentinian  
» see more

Onde quer voce esteja (Wherever you may be)
© » KADIST

Pablo Accinelli

2011

In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...

Other related works, blended automatically  
» see more

Pasajes I
© » KADIST

Sebastián Díaz Morales

2012

Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...

Onde quer voce esteja (Wherever you may be)
© » KADIST

Pablo Accinelli

2011

In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...

Related works sharing similar palette  
» see more

SEE WHAT SEE (Feb 2021): DESIRE
© » ARTS EQUATOR

SEE WHAT SEE (Feb 2021): DESIRE | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 18, 2021 By Joel Tan Welcome to my new column 1 Does “column” still make sense in the context of a website? for ArtsEquator, where every month I’ll be giving you a little line-up of Singaporean and other Southeast Asian streaming content that I think is interesting and worth talking about in my typically TLDR, long-winded way...

Can Machine Learning Predict the Price of Art at Auction?
© » ARTNOME

Can Machine Learning Predict the Price of Art at Auction? — Artnome Menu Blog Exploring art through data using the Artnome database...

Stamps School of Art & Design Seeks Proposals for Witt Residency
© » HYPERALLERGIC

Stamps School of Art & Design Seeks Proposals for Witt Residency Skip to content Machine Dazzle, current Roman J...

Other works by: » Sebastián Díaz Morales  
» see more

Pasajes I
© » KADIST

Sebastián Díaz Morales

2012

Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...

Related artist(s) to: Sebastián Díaz Morales » Agustín Pérez Rubio, » Akram Zaatari, » Liu Wei  
» see more

"Two young men from Aadloun", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1966

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

"Baqari’s wife", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1957

“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself...

Related works found in the same semantic group  
» see more

When Need Moves The Earth
© » KADIST

Som Supaparinya

2014

When Need Moves the Earth is a three-channel video that combines elements of documentary footage, archival material and abstract aerial shots to encompass a painterly yet forthright exploration of a coal mine and a water dam in Thailand...

Bad innovation in the name of protection (Gulf Style)
© » KADIST

Kristof Kintera

2007

Bad innovation in the name of protection is not a ready-made, but was made entirely by the artist, representing a stroller...

Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

2016

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...