Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose. A friend and supporter of his work as well as his subject, Sontag wrote the introduction for Hujar’s only book published during his lifetime: Portraits in Life and Death.
Before American photographer Peter Hujar passed away from AIDS in 1987, he was a part of a group of New York-based artists, writers, and musicians who defined the downtown scene in the 1970s. Often described as uncompromising in personality and aesethetic, Hujar’s black-and-white photographs captured landscapes, animals, and, most memorably, people.
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Hernan Bas’s recent works, particularly his series “The Conceptualists,” showcase his continued exploration into the realms of queerness, desire, the occult, and the absurd...
A Splinter (Study for Painting) is a large graphite work on paper by Hernan Bas that was intended as a study for a later painting...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...