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This video is a montage of documentary and virtual images found on the Internet. They all have a performative dimension with varying registers of violence. The title – Super Amuleto – refers to the lucky charm of a rabbit’s foot. In Western symbolism it refers to fertility and therefore to prosperity and luck. It also alludes to one of the first relationships between man and animal in a conception of the animal as a ritual and divinatory object. It is a relationship that is based on violence however, like that of the animal thought of as food (also referenced by the fish at the start of the video) or the domesticated animal. The film’s text guides us towards the idea that a ritual presents a spiritual justification. This idea is reinforced by the translation of the text at the bottom of the image into an unknown language, reminiscent of emojis, which seems intended for another audience who remain invisible to us much like the magical language of Walter Benjamin. In certain sequences of the film, like those of the octopus on the face of a young woman or that of the drone with the eagle, there are relations of attraction / repulsion between man and animal, animal and machine which are ultimately also located within this register of violence.
Wisrah Villefort produces videos, installations and sculptures with a reflection on notions of the non-human, the increased presence of new digital technologies in our daily life, the use of synthetics polymers, prostheses and their markets. His work refers to current neo-materialist theories which confer existence to things with the idea that the relationship between man and objects – when their sensory materiality is recognized – can lead to productive alliances. It was Walter Benjamin who, very early on, claimed that the language of things is a “productive language” in the sense that it contains traces of origins and of God. The idea for him is that human language must be able to translate the meaning not by a ‘translation’ in the classical sense of the term but by a transfer, a transmission.
David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials...
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky...
Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...
SDEA Theatre Arts Conference Keynote Interviews: Drama lessons in a pandemic (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 2, 2021 By Sarah Tang SDEA is holding its first fully online Theatre Arts Conference this year from 22 to 30 May...
This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India...
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Belgium commemorates 75 years since the artist's death with a year-long season of exhibitions and events, often highlighting the lesser known aspects of his work Eddi Fiegel 15 December 2023 Share James Ensor, Pierrot and skeleton in a yellow robe (1893) Photo: Hugo Maertens The Belgian artist James Ensor may be easily recognisable for the macabre faces that so often feature in his works, but a major new season of exhibitions and events in his home country aims to reveal “the man behind the mask”...
Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...