7min55sec
This video is a montage of documentary and virtual images found on the Internet. They all have a performative dimension with varying registers of violence. The title – Super Amuleto – refers to the lucky charm of a rabbit’s foot. In Western symbolism it refers to fertility and therefore to prosperity and luck. It also alludes to one of the first relationships between man and animal in a conception of the animal as a ritual and divinatory object. It is a relationship that is based on violence however, like that of the animal thought of as food (also referenced by the fish at the start of the video) or the domesticated animal. The film’s text guides us towards the idea that a ritual presents a spiritual justification. This idea is reinforced by the translation of the text at the bottom of the image into an unknown language, reminiscent of emojis, which seems intended for another audience who remain invisible to us much like the magical language of Walter Benjamin. In certain sequences of the film, like those of the octopus on the face of a young woman or that of the drone with the eagle, there are relations of attraction / repulsion between man and animal, animal and machine which are ultimately also located within this register of violence.
Wisrah Villefort produces videos, installations and sculptures with a reflection on notions of the non-human, the increased presence of new digital technologies in our daily life, the use of synthetics polymers, prostheses and their markets. His work refers to current neo-materialist theories which confer existence to things with the idea that the relationship between man and objects – when their sensory materiality is recognized – can lead to productive alliances. It was Walter Benjamin who, very early on, claimed that the language of things is a “productive language” in the sense that it contains traces of origins and of God. The idea for him is that human language must be able to translate the meaning not by a ‘translation’ in the classical sense of the term but by a transfer, a transmission.
David Gustav Cramer’s are composed of simple, descriptive texts accompanied by found photographs, letters or other materials...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile...
Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...
Asli Çavusoglu is in residence at KADIST Paris from February to May 2020 to develop a project based on previous research she conducted on colors, extending her interest for their political histories towards the production of fabrics colored by naturally cultivated and fairly distributed vegetables, fruits and other edible plants...
Quentin Blake: Now Exhibition | Londonist This Free Quentin Blake Exhibition Lands In London At The End Of January By Will Noble Will Noble This Free Quentin Blake Exhibition Lands In London At The End Of January The exhibition is free, although if you want, you can spend a lot of money by purchasing an original...
Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...
SDEA Theatre Arts Conference Keynote Interviews: Drama lessons in a pandemic (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 2, 2021 By Sarah Tang SDEA is holding its first fully online Theatre Arts Conference this year from 22 to 30 May...
This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India...
KADIST Holiday Get-together, exhibition walk-through of Native Art Department International, Bureau of Aesthetics with artist, writer, and educator tamara suarez porras followed by Cran Royale cocktails and cheese boards to welcome our artist-in-residence Jeamin Cha! tamara suarez porras is an artist, writer, and educator from (south) Brooklyn, New York and based in the San Francisco Bay Area...
A Pick Gallery | ARTPIL MAIN ARTICLES PROFILES ANNOUNCEMENTS EXHIBITIONS WORKS COLLECTIONS ABOUT MAIN ARTICLES PROFILES ANNOUNCEMENTS EXHIBITIONS WORKS COLLECTIONS ABOUT ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries Search for: Search Button newsletter | facebook fb | instagram insta • Esmeralda Kosmatopoulos A Pick Gallery Turin Founded in June 2019, A PICK GALLERY is a contemporary art gallery that, as its name suggests, focuses on the research and selection of artists, emerging and established, on the international scene...
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...