Sultana's Dream
2018 - Drawing & Print (Drawing & Print)
51.1 x 41 cm
Chitra Ganesh
Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream . This series by artist Chitra Ganesh comprises a large-scale narrative suite inspired by a 1905 feminist utopian (eponymous) text written by a Bengali writer and social reformer, Rokeya Sakhhawat Hossain. Educated thanks to the support of her elite family, Hossain was one of the few Bengali women of her generation writing in English. The text Sultana’s Dream , though not as well known, holds a singular position among early feminist science fiction. This series of linocut prints draws on Hossain’s text and connects with problems shaping 21st-century life: apocalyptic environmental disaster, the disturbing persistence of gender-based inequality, the power of the wealthy few against the economic struggles of the majority, and ongoing geopolitical conflicts that cause widespread death and suffering. Protests scenes, revisited myths, or dreams, the linocut scenes all illustrate an alternative future in which gender roles in India are reversed and women occupy broad-ranging positions of power. These works demonstrate the enduring relevance of utopian imaginaries in offering means of envisioning a more just future.
Spanning printmaking, sculpture, and video, Chitra Ganesh’s work draws from broad-ranging material and historic reference points, including surrealism, expressionism, Hindu, Greek and Buddhist iconographies, South Asian pictorial traditions, 19th-century European portraiture and fairy tales, comic books, song lyrics, science fiction, Bollywood posters, news and media images. The process of automatic writing is central to the practice of the Indian-American artist and emerges from dissecting myths to retrieve critical moments of abjection, desire, and loss. By layering disparate materials and visual languages, Ganesh considers alternate narratives of sexuality and power.
Colors:
Related works sharing similar palette
© » KADIST
Jorge González
2017Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios...
© » KADIST
Lucas Blalock
2011Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
© » ART & OBJECT
Colombia Wants to Recover $20 Billion from Storied Shipwreck, San José | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Ari Marcopoulos
1998A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
© » KADIST
Nao Bustamante
2010Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
© » KADIST
Che Onejoon
2018Che Onejoon’s unsettling video My Utopia opens with a round table of women asking and answering the questions “Who am I? Where did I come from? Where should I go?” One of the women featured is Monique Macías, the daughter of Francisco Macías Nguema, the first Prime Minister of Equatorial Guinea...
© » SLASH PARIS
L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour L’œil vérité — Le musée au second degré Exposition Techniques mixtes À venir Roman Cieslewicz, M...
© » HYPERALLERGIC
Artist Rodrigo Valenzuela’s Futuristic Ruins Unveiled in LA Skip to content Rodrigo Valenzuela, "The Underpinning" (2023) (photo Matt Stromberg/ Hyperallergic ) LOS ANGELES — On Saturday afternoon, a crowd gathered at Los Angeles State Historic Park on the edge of Chinatown for the opening of Rodrigo Valenzuela’s new public artwork, commissioned by the local nonprofit Clockshop...
© » KADIST
Sadie Barnette
2018Winfield St by Sadie Barnette depicts a seldom documented scene of men and boys in an intimate domestic setting...
© » THEARTNEWSPER
Cities are the heroes in an 'easy-going and unpreachy' publication that takes us on whirlwind tour of art history Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review Cities are the heroes in an 'easy-going and unpreachy' publication that takes us on whirlwind tour of art history Fifteen art capitals are captured at their brilliant apogee in Caroline Campbell's book Keith Miller 6 February 2024 Share Detail of Hungry Ghosts Scroll (late 12th century) by an unknown artist Kyoto National Museum The last book I reviewed with this title was by the historian Simon Schama...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Will Hokkien die out?; Pineapple Lab shuts | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo via Phố Văn Blog August 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » BROOKLYN STREET ART
Shepard Fairey: “Raise the Level” | New Short Documentary | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY As we usher in the new year, it’s exhilarating to embrace a project that embodies a powerful message: “Raise the Level.” This initiative, resonating with the ethos of elevating our discourse on critical issues, reminds us that respectful, high-quality debate is not only possible but necessary...
© » SLASH PARIS
Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Gilles Aillaud — Acquisitions récentes Exhibition Painting Vue de l’exposition Gilles Aillaud...
© » KADIST
Mary Ann Aitken
2009Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements...