39.75H x 29W inches
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world. Patches of canvas cover parts of this otherwise representational photograph and ask the viewer to consider the role that editing and play in our perception of the urban landscape and modernity.
British-born and Vancouver-based, Ian Wallace is known for his conceptual art practice and critical writings. Since the mid-1980s, the artist has explored the relationship between documentary photography—often featuring sites of urban development—and abstract monochrome painting, to investigate the characteristics of media-specificity and the limitations of representation.
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...