Study for a Recycling Device
2005
11.8Hx 31.5W x 7D inches
Pedro Reyes
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste. There is a missing organ in our social metabolism which would work as a stomach or intestines. The Recyclone is a device made of plastic containers that fit into each other. (The plastic boxes are the equivalent to the ‘vellum,’ which are the tiny hairs that stick out from the intestinal wall to absorb nutrients). The permutation of this plastic bins could be customized to satisfy anyone’s recycling needs.” This work offers the possibility of a more visually appealing and adaptable recycling mechanism, assisting in the conscientious extraction of reusable material from industrial products.
Pedro Reyes’s works traverse the worlds of art, film, architecture, design, social criticism, and pedagogy. Educated as an architect, Reyes draws on this training to engage with utopian aspirations and the ongoing legacy of Modernism, often focusing on issues of scale and space while questioning pressing social issues through the incitement of individual or collective interaction. Although only a few of his works are directly located within the practice of building, almost all involve some kind of construction, whether they are objects, models, interiors, or social spaces. Reyes also makes use of strategies developed for communication or education, as well as everyday humor, to engage his audiences. Many of his works either allow large-scale public engagement or suggest a possible use: weapons turned to shovels, multilevel parks in old modernist buildings, and small spherical rooms. Like many avant-garde thinkers of the past, Reyes constructs new forms of architecture necessary for new ways of life.
Colors:
Related works sharing similar palette
© » KADIST
Xaviera Simmons
2019Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
© » KADIST
James "Yaya" Hough
2016This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
© » KADIST
Karl Haendel
2011Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
© » CONTEMPORARYAND
Book List on Post-Colonial Theory from the C& Library | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership C& Center of Unfinished Business Book List on Post-Colonial Theory from the C& Library Our library offers a wide selection of books that are connected to the topic of (post-)colonialism in various ways and help us to understand the now...
© » SOUTH CHINA MORNING POST
Meet Hong Kong’s ‘Flower Granny’ artist, 92 – likened to Yayoi Kusama – for whom the world is her canvas | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Hong Kong artist Fapopo with some of her work at her home in Sai Kung in December 2022...
© » SLASH PARIS
Santídio Pereira — Un horizon végétal — Galerie Xippas — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Santídio Pereira — Un horizon végétal — Galerie Xippas — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Santídio Pereira — Un horizon végétal Exposition Dessin, estampe, lithographie / gravure, peinture.....
