Studio Construct 51

2008 - Photography (Photography)

Barbara Kasten

year born: 1936
gender: female
nationality: American
home town: Chicago, Illinois

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces. Kasten’s assemblages could be seen as sculptural plays on geometric abstraction, but her sets are deliberately temporary and staged only to be photographed and subsequently dismantled. In shifting focus from the object-as-subject to the document, Studio Construct 51 privileges ephemerality over permanence and suggests that all physical forms are transient and ultimately only recognizable by the artifacts that they leave behind.


Barbara Kasten creates constructions for the camera by building temporary sets out of unidentified materials that she photographs and immediately disassembles. Producing continuously since the 1960s, Kasten’s work is often identified with the California Light and Space Movement, and her photographs deliberately play on perceptual phenomena of light and shadow. Kasten is a self-taught photographer and distances herself from the profession. Regardless, her work continues to influence younger generations of photographers who are inspired by her innovative and experimental compositions.


Colors:



Related artist(s) to: Barbara Kasten » Annette Kelm, » Ballroom Marfa, » Charlotte Cotton, » Chris Wiley, » Erin Shirreff, » Fairfax Dorn, » Liz Larner, » Lucas Blalock, » Rachel Khedoori, » Simon Starling

Nachbau
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Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...

Stilleben mid Zierlauch (Still Life with Aluminum)
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In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions...

20
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Chris Wiley

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Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

11
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Chris Wiley

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Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

Tree on Keystone
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Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...

three, three, three
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