39.75H x 33.75W inches
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.
James Welling has a long-standing interest in pushing the technical and conceptual boundaries of photography. His practice takes photographic norms or the representational field itself as its subject and, through material or digital manipulations, Welling investigates abstraction, turning everyday space or mundane objects into something uncanny but poetic.
In Dark Beyond Deep by Zhu Changquan the film presents the process of how consciousness gradually develops and extends from the real world to virtual space through a raven named Cyma...
Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...
“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...
Hauser & Wirth and Nicola Vassell Unveil New Partnership Model – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All November 28, 2023 4:00pm Amapiano Dance , 2022-2023, Uman, Acrylic, oil and oil stick on canvas in artist's frame, 62 5/8 x 62 5/8 in...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
Weekly Picks: Indonesia (4 - 10 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 4, 2019 Top Picks of Indonesia art events in Jakarta, Surabaya and Bali from 4-10 March 2019 In order to understand the contemporary art and society, we have to take our understanding beyond the principles of modernism...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
The Pudic Relation between Machine and Plant shows a looped scene where a robotic hand touches a “sensitive plant” — Mimosa Pudica, a species characteristic for closing on itself when touched...