60.96 x 45.72 x 3.81 cm.
In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions. The aesthetic dissonance between the mechanical, gridded aluminum and the grainy clay pot signify an interaction between systems of visual production, furthered by the aluminum grid’s inward tilt, visually apparent due to the grid pattern’s convergence at the top of the photograph. Contrasting the stark slant of the grid, the pot sits on a level surface, while the two tall stems protruding from it run at a non-parallel angle to the grid. Though there emerges an uneasy relation between the clearly demarcated individual parts of the composition, its material pluralism is evidence of the work’s conflation of different cultural technologies and functionalities.
Using a conceptually-oriented model of photography, German artist Annette Kelm explores objects and the surrounding nexus of human-driven relations that govern their existence, signification, and function. Her photographs explore systemic structures of capital and history by juxtaposing disparate genres, such as patterned textiles, designed objects, and technology, within a single work. The clashing motifs of these still life compositions sketch out richly contradictory and cross-cultural narratives, while subverting the stylistic conventions of normative photographic advertisements. Kelm often feature a single, vaguely familiar object, which she renders using a direct and realistic style that oscillates between genres, such as documentary and advertising. She makes series revolving around these objects, pressing the relationship between photography and sculpture—her work moves between the creation of images and the recording of a staged object or objects—in order to unfold her subject’s social, economic, and cultural context.
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations...
Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
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Percent for Art is seemingly concerned with “art enrichment” by state or city arts agencies role in it, managing the artist rosters, maintaining public art collections, commissioning artworks, selecting installation sites, among other things for aesthetic and cultural enhancement in both public and private real estate developments...
Foreigners Everywhere is a series of neon signs in several different languages...
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After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977)...
Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device...
Next to a Keith Haring Mural, Original Artworks by Rikers Detainees Skip to content Installation view of Creating Within: Art from Rikers and the NYC Health + Hospitals Art Collection at NYC Health + Hospitals/Woodhull, with Keith Haring's 1986 mural above (photo Aaron Short/ Hyperallergic ; all other photos by Samuel Rodriguez/New York City Health + Hospitals) Some of New York’s most interesting artists happen to be creating work outside the traditional art world — and inside the city’s correctional system...