In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape. Cortright’s backgrounds are made seedy by the appearance of digitally-rendered strippers, while various layers of internet escapism collide together in an infinite loop. The dancing girls are sourced from VirtuaGirl, a software that makes footage of strippers available for download. This, in contrast with the fantastical digital worlds — which feature unicorns, birds and butterflies fluttering in untouched landscapes — raise questions about the way we view women in a digital landscape, while at the same time evoking a digital sort of impasto, reminiscent of impressionist painting.
Whether for a gallery or online audience, Petra Cortright uses the Internet as a medium, source, context and place where her work unravels. She is best known for her self-portrait videos created with a domestic webcam and then uploaded onto YouTube. The various effects that she applies to the clips are sourced from a variety of webcam softwares she has collected over the years. In her work, Cortright is the director, the actor, the editor all at once—allowing her to playfully explore ideas of the self and the body as it is represented in the digital realm, as well as the formal qualities of low-fi, homemade video. In more recent works, Cortright combines photos, gifs, memes, games, animation and even pornography sourced from the internet, mixing various forms of expression as means to meditate on the social ramifications of the medium. Cortright also creates 2D works—primarily Photoshop-based paintings transferred onto aluminum, linen, paper, or acrylic—where she overlays hundreds of digital layers composed by found samplings to simulate brush strokes.
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
Bringing you the best of Berlin Fashion Week AW24 Womenswear | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Feature From Sia Arnika and SF 1 OG, to Shayne Oliver’s Anonymous Club, here’s everything that went down at the German city’s fashion fair 10 February 2024 Text Elliot Hoste Berlin Fashion Week AW24 35 It might have been founded 17 years ago, but Berlin Fashion Week is a relative newborn in comparison to its Big Four siblings...
The video Make down is a 34 minute sequence shot that shows the artist removing make-up in front of a mirror...
The Pudic Relation between Machine and Plant shows a looped scene where a robotic hand touches a “sensitive plant” — Mimosa Pudica, a species characteristic for closing on itself when touched...
Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions...
Weekly Southeast Asia Radar: New Filipina superhero; capturing seniors of Saigon; refugee kids in Penang musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Photo: School of The Arts, USM September 5, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Corey McCorkle’s 2016 installation Pendulum is developed around the Cavendish family and their role in importing bananas to Europe...
Reeder’s works often start with language—and his Pasta Paintings are no different...
“A Dream Under the Southern Bough: Reverie”: Down the Ant Hole | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Toy Factory June 6, 2019 By Jocelyn Chng (1,138 words, five-minute read) My strongest memory from the first instalment of this three-year series by Toy Factory, A Dream Under the Southern Bough: The Beginning , was its dramatic cliffhanger of an ending...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
Exhibition dates: February 24 – April 9 Opening: February 24, 6-9pm Hours: Weds – Sat, 2-7pm or by appointment Borrowing its title from James Baldwin’s 1985 essay on the Atlanta Child Murders of 1979-81, Evidence of Things Not Seen , this solo exhibition amplifies notions of presence and absence, sound and silence, and visibility and invisibility in the work of Hank Willis Thomas ...
Border Biennial showcases art across the Texas-Mexico border Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news Border Biennial showcases art across the Texas-Mexico border It’s the first physical iteration of the El Paso and Juárez exhibition in five years, after the onset of the Covid-19 pandemic shut down the 2020 edition Carlie Porterfield 15 December 2023 Share Pico del Hierro-Villa's Las Virgencitas Enamoradas (2022) Courtesy of the artist The Border Biennial, which celebrates art and culture across the US-Mexico border, is returning for the first time since the onset of the Covid-19 pandemic and related travel restrictions interrupted the 2020 edition of the event...