In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape. Cortright’s backgrounds are made seedy by the appearance of digitally-rendered strippers, while various layers of internet escapism collide together in an infinite loop. The dancing girls are sourced from VirtuaGirl, a software that makes footage of strippers available for download. This, in contrast with the fantastical digital worlds — which feature unicorns, birds and butterflies fluttering in untouched landscapes — raise questions about the way we view women in a digital landscape, while at the same time evoking a digital sort of impasto, reminiscent of impressionist painting.
Whether for a gallery or online audience, Petra Cortright uses the Internet as a medium, source, context and place where her work unravels. She is best known for her self-portrait videos created with a domestic webcam and then uploaded onto YouTube. The various effects that she applies to the clips are sourced from a variety of webcam softwares she has collected over the years. In her work, Cortright is the director, the actor, the editor all at once—allowing her to playfully explore ideas of the self and the body as it is represented in the digital realm, as well as the formal qualities of low-fi, homemade video. In more recent works, Cortright combines photos, gifs, memes, games, animation and even pornography sourced from the internet, mixing various forms of expression as means to meditate on the social ramifications of the medium. Cortright also creates 2D works—primarily Photoshop-based paintings transferred onto aluminum, linen, paper, or acrylic—where she overlays hundreds of digital layers composed by found samplings to simulate brush strokes.
In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...