SpringValle_ber_girls
2012 - Film & Video (Film & Video)
Petra Cortright
In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape. Cortright’s backgrounds are made seedy by the appearance of digitally-rendered strippers, while various layers of internet escapism collide together in an infinite loop. The dancing girls are sourced from VirtuaGirl, a software that makes footage of strippers available for download. This, in contrast with the fantastical digital worlds — which feature unicorns, birds and butterflies fluttering in untouched landscapes — raise questions about the way we view women in a digital landscape, while at the same time evoking a digital sort of impasto, reminiscent of impressionist painting.
Whether for a gallery or online audience, Petra Cortright uses the Internet as a medium, source, context and place where her work unravels. She is best known for her self-portrait videos created with a domestic webcam and then uploaded onto YouTube. The various effects that she applies to the clips are sourced from a variety of webcam softwares she has collected over the years. In her work, Cortright is the director, the actor, the editor all at once—allowing her to playfully explore ideas of the self and the body as it is represented in the digital realm, as well as the formal qualities of low-fi, homemade video. In more recent works, Cortright combines photos, gifs, memes, games, animation and even pornography sourced from the internet, mixing various forms of expression as means to meditate on the social ramifications of the medium. Cortright also creates 2D works—primarily Photoshop-based paintings transferred onto aluminum, linen, paper, or acrylic—where she overlays hundreds of digital layers composed by found samplings to simulate brush strokes.
Colors:
Other related works, blended automatically
© » KADIST
Petra Cortright
2011In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...
© » KADIST
Eko Nugroho
2009Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
© » KADIST
Mark Leckey
2004In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
© » KADIST
Lynn Hershman Leeson
2016Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
© » KADIST
Yoshua Okón
2009Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
© » KADIST
Jianwei Wang
2007In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
© » KADIST
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
© » KADIST
Pascal Shirley
2006Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...
© » KADIST
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
© » KADIST
Kate Gilmore
2008In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
© » KADIST
Pascal Shirley
2006Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
© » KADIST
Yang Guangnan
2011Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
© » KADIST
Paul McCarthy
2010To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
© » KADIST
Agnieszka Kurant
2022For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
© » KADIST
Agnieszka Kurant
2022For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
© » KADIST
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
© » KADIST
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...