In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape. Cortright’s backgrounds are made seedy by the appearance of digitally-rendered strippers, while various layers of internet escapism collide together in an infinite loop. The dancing girls are sourced from VirtuaGirl, a software that makes footage of strippers available for download. This, in contrast with the fantastical digital worlds — which feature unicorns, birds and butterflies fluttering in untouched landscapes — raise questions about the way we view women in a digital landscape, while at the same time evoking a digital sort of impasto, reminiscent of impressionist painting.
Whether for a gallery or online audience, Petra Cortright uses the Internet as a medium, source, context and place where her work unravels. She is best known for her self-portrait videos created with a domestic webcam and then uploaded onto YouTube. The various effects that she applies to the clips are sourced from a variety of webcam softwares she has collected over the years. In her work, Cortright is the director, the actor, the editor all at once—allowing her to playfully explore ideas of the self and the body as it is represented in the digital realm, as well as the formal qualities of low-fi, homemade video. In more recent works, Cortright combines photos, gifs, memes, games, animation and even pornography sourced from the internet, mixing various forms of expression as means to meditate on the social ramifications of the medium. Cortright also creates 2D works—primarily Photoshop-based paintings transferred onto aluminum, linen, paper, or acrylic—where she overlays hundreds of digital layers composed by found samplings to simulate brush strokes.
In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...