In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape. Cortright’s backgrounds are made seedy by the appearance of digitally-rendered strippers, while various layers of internet escapism collide together in an infinite loop. The dancing girls are sourced from VirtuaGirl, a software that makes footage of strippers available for download. This, in contrast with the fantastical digital worlds — which feature unicorns, birds and butterflies fluttering in untouched landscapes — raise questions about the way we view women in a digital landscape, while at the same time evoking a digital sort of impasto, reminiscent of impressionist painting.
Whether for a gallery or online audience, Petra Cortright uses the Internet as a medium, source, context and place where her work unravels. She is best known for her self-portrait videos created with a domestic webcam and then uploaded onto YouTube. The various effects that she applies to the clips are sourced from a variety of webcam softwares she has collected over the years. In her work, Cortright is the director, the actor, the editor all at once—allowing her to playfully explore ideas of the self and the body as it is represented in the digital realm, as well as the formal qualities of low-fi, homemade video. In more recent works, Cortright combines photos, gifs, memes, games, animation and even pornography sourced from the internet, mixing various forms of expression as means to meditate on the social ramifications of the medium. Cortright also creates 2D works—primarily Photoshop-based paintings transferred onto aluminum, linen, paper, or acrylic—where she overlays hundreds of digital layers composed by found samplings to simulate brush strokes.
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...
Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
The video Make down is a 34 minute sequence shot that shows the artist removing make-up in front of a mirror...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...
Through a hand-painting process, Shi Guowei created Manufactured Landscape ...
Commissioned for the 2012 Whitney Biennial, Hearsay of the Soul (2012) is Werner Herzog’s ode to the landscape paintings of the 17th-century Dutch artist Hercules Segers...