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Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...

In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...

Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...

What’s Shanghai’s art scene like in late 2023? Absolutely buzzing – from Art021 to the Shanghai Biennale, things are looking busier than ever...

‘The Taste of Things’ Review: A Moving Tale of Love and Food | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Food, Glorious Food (and Other Pleasures) in ‘The Taste of Things’ Lindsey Bahr, Associated Press Feb 8 Save Article Save Article Failed to save article Please try again Email Benoit Magimel and Juliette Binoche in ‘The Taste of Things.’ (Stéphanie Branchu/ IFC Films via AP) The Taste of Things should come with a warning: Audiences may be tempted to abandon work as they know it and start a beautiful, calm new life in the French countryside devoted to the culinary arts...

Walking Alongside “BITTEN: return to our roots” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asrari Nasir of Paradise Pictures December 19, 2018 By Teo Xiao Ting (1,420 words, seven-minute read) Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong Bugis, I spot a crew member sweeping the rainwater from the late afternoon downpour clear from the path that I will later walk on...

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

In the shifting landscape of the digital realm, Non-Fungible Tokens (NFTs) emerged as a possible revolutionary force, reshaping how we perceive and engage with art The post NFTs From Digital Phenomenon to Global Meltdown appeared first on Artlyst ....

Through a hand-painting process, Shi Guowei created Manufactured Landscape ...

Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world...

El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota...