SpringValle_ber_girls

Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....

Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...

In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...

Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...

What’s Shanghai’s art scene like in late 2023? Absolutely buzzing – from Art021 to the Shanghai Biennale, things are looking busier than ever...

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...

Prophecies for the Second Machine Age An Online Video Exhibition curated by Erika Balsom...

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

Ian Cheng’s project 3FACE is based on a model that is derived from both the artist’s extensive readings on psychology and cognition, and his own intuitive understanding of how people function...

In the shifting landscape of the digital realm, Non-Fungible Tokens (NFTs) emerged as a possible revolutionary force, reshaping how we perceive and engage with art The post NFTs From Digital Phenomenon to Global Meltdown appeared first on Artlyst ....

Through a hand-painting process, Shi Guowei created Manufactured Landscape ...

Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world...

The artist writes about her work: “There is an endless desire to know what we look like from outer space and many of us have evolved into a species that exists across the disorienting spaces and timeframes of virtuality...