For over five months, Zhou situated himself in an underdeveloped village surrounded by the high skyscrapers of Guangzhou to produce South Stone . Interweaving footage of a village’s landscape, residents, and animals with his seemingly absurd interventions with the place, South Stone indicates the equally incoherent social reality. Fluctuating between documentary and fiction, the film catalyzes alternative connections in time, and the emergence of imaginative spaces. Zhou’s practice alchemizes the ordinary surroundings into a theatre where he superimposes and interchanges the background and the stage, the viewer and the actor, the fact and the story line, the documentation and the representation. His camera is not simply a recording apparatus but an extension of existence, which requires active participation. The images it produces are not just detached spectacles: They are the agents that reveal the theatrical details suffused in mundane life.
Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space. Depicting subtle and often humorous interactions with people, things, actions, and situations, Zhou is known for his films that invite us to experience the multiple trajectories of reality; what he calls the “folding scenario” or the “zone with folds.” For him, the use of video is not a deliberate choice of artistic language or medium, instead the operation of the camera is a way of being that blends itself with everyday life. In his work, Zhou connects seemingly disparate milieus, turning his attention to often ignored sites that exist on the threshold between the natural and the artificial. The visual narratives merge different spatial constructs such as landscapes, the metropolis, construction sites, parks, public squares, and wastelands.
Kimbell Art Museum acquires important cultural touchstone of Olmec art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Kimbell Art Museum acquires important cultural touchstone of Olmec art The jade statuette of an Olmec ruler holding a baby were-jaguar will be exhibited as the centrepiece of the Texas museum's ancient American collection Theo Belci 14 December 2023 Share Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC) Photo: Justin Kerr., courtesy of the Justin Kerr Maya archive, Dumbarton Oaks, Trustees for Harvard University, Washington, DC The Kimbell Art Museum in Fort Worth, Texas, has acquired Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC), a jade statuette at the centre of Olmec civilisation studies since the mid-20th century...
Bernard Gaube — Hunimalité — L’ahah Griset — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Bernard Gaube — Hunimalité — L’ahah Griset — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Bernard Gaube — Hunimalité Exposition Peinture À venir Bernard Gaube, Hunimalité, 2017, 46x37 cm...
The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...
Sleeping Polar Bear Snuggling on Iceberg Wins Photo Award Skip to content "Ice Bed" (2023), digital photo (© Nima Sarikhani, Wildlife Photographer of the Year; all images courtesy the artist and Natural History Museum, London) In an era of immeasurable chaos caused by unsustainable human activity across the planet, it’s crucial to look within the natural world for order, hope, and to feel grounded as things spiral around us...
Bernard Gaube — Hunimalité — L’ahah Griset — Exhibition — Slash Paris Login Newsletter Twitter Facebook Bernard Gaube — Hunimalité — L’ahah Griset — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Bernard Gaube — Hunimalité Exhibition Painting Upcoming Bernard Gaube, Hunimalité, 2017, 46x37 cm...
South Africa Pavilion Announces Curator, Artists and Exhibition Title for Venice Biennale 2024 | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News South Africa Pavilion Announces Curator, Artists and Exhibition Title for Venice Biennale 2024 Managed by the Institute of Creative Repair, the exhibition, titled Quiet Ground, is curated by Portia Malatjie and will feature new work by MADEYOULOOK...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...