Sous-dieu (Au non de la liberté (Tiko drink Kumba drunk))

2020 - Photography (Photography)

60 x 90 cm

Chantal Edie and Zacharie Ngnogue


Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways. “Tiko drink-Kumba drunk” is an adage that is commonly used in the Southwest province of Cameroon to speak of how one’s actions affect others. Civil liberties are next to non-existent in Cameroon, the law is lawless, and structured in a way that is intended to attack its citizens’ human rights. In each photograph, the artists are teleporting, invoking themselves in front of public and administrative buildings, sometimes replacing monuments with their own bodies in order to symbolically restore their civil liberties. The majority of these infrastructures are inherited from colonial times and the formal contrast in colors alludes to the coexistence of this past and present. The photographs imply that though the colonial master has departed, their work continues through the current governance. To counteract this systemic subjugation, the work attempts to strike a visible balance that should exist between citizens and the authorities that rule them. The series is a manifestation, a protest for change, reason, action, and alternance.


Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries. Grappling with the idea of living together, what it means, and looks like, their works often feature a performative element as the artists use their own bodies in their photographs. The duo’s practice plays a significant role in the Cameroonian art scene and beyond, as it is intended as a way of participating in global social debates. For Ngnogue and Edie, it is a political act to boldly address the pressing socio-political issues of this time. It is a means for them to create space for expression, while still engaging and existing as citizens and human beings.


Colors:



Other related works, blended automatically  
» see more

Musée colonial (Au non de la liberté (Tiko drink Kumba drunk))
© » KADIST

Chantal Edie and Zacharie Ngnogue

2020

Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...

Related works sharing similar palette  
» see more

Rele Gallery to open new space in Mayfair, London.
© » FAD MAGAZINE

Rele Gallery to open new space in Mayfair, London...

What We Lose When Curating Follows the Money
© » HYPERALLERGIC

What We Lose When Curating Follows the Money Skip to content Gerhard Richter, "Tante Marianne" (1965), oil on canvas (all photos Olivia McEwan/ Hyperallergic ) LONDON — Something feels off from the introductory lines of the exhibition booklet for Tate Modern’s Capturing the Moment ...

Peter Gronquist Interviewed by Rob Goyanes
© » BOMB

BOMB Magazine | Peter Gronquist Interviewed Necessary (Required) Cookies that the site cannot function properly without...

wombmate!
© » KADIST

Mithu Sen

2014

wombmate! by Mithu Sen is part of a project called AºVOID...

Musée colonial (Au non de la liberté (Tiko drink Kumba drunk))
© » KADIST

Chantal Edie and Zacharie Ngnogue

2020

Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...

Palais de l’injustice (Au non de la liberté (Tiko drink Kumba drunk))
© » KADIST

Chantal Edie and Zacharie Ngnogue

2020

Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...

Related works found in the same semantic group  
» see more

Untitled 1 (Naked Routes)
© » KADIST

Em'kal Eyongakpa

2011

Em’kal Eyongakpa was born in Cameroon in 1981...

Untitled 21 (Naked Routes)
© » KADIST

Em'kal Eyongakpa

2013

Em’kal Eyongakpa was born in Cameroon in 1981...

4 Movies That Showcase The Amazing Action Talent In Indonesia
© » ARTS EQUATOR

4 Movies That Showcase The Amazing Action Talent In Indonesia Thinking and Talking about Arts and Culture in Southeast Asia Articles January 17, 2022 By Nabilah Said (1,355 words, 4-minute read) There is no denying the spectacle that modern Hollywood blockbusters are capable of producing...

Golden Lines
© » KADIST

Andrei Monastyrski

2006

The series “The Golden lines” was started in 1996 and consists of photographs with “spiritual-transport” lines...