Something Other Than What You Are
2018 - Film & Video (Film & Video)
36:00 minute (looped)
Camel Collective
Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound. In both works, the 36 minute video depicts a narrative taking place outside of a live theater performance in the form of monologues that moves between the production and technical crew. There is a set of three different characters—a lighting technician, a lighting designer, and a professor all played by the same actress who share in their personal experiences and attitudes the precariousness of their work, the problems and myths of collaboration, and the obsolescence of theatrical technology. Across the soliloquies, light becomes a subject and metaphor for the production of visibility and invisibility in the creative field of theater. Something Other Than What You Are was shot in REDCAT’s theater, using the theater both as a fictional setting as well as subject of study.
Camel Collective comprises the artists Carla Herrera-Prats (Mexican, photographer and conceptual artist) and Anthony Graves (American, painter), who began working together in 2005 during a fellowship at the Whitney Independent Program. However, the origins and evolution of the collective has drastically changed over the last decade. First, it was a larger research and discursive group organized to question ideas around labor, affect, and collectivity. At the time, in the context of the Bush administration and the Iraq War, the group was primed with artists, along with a few architects, writers and curators developing their careers in political discourse and cultural opposition. Mapping a unique artistic trajectory, their agenda also interrogated the history of artist collaboration, and sought out projects to support artist’s rights and potential unionization of artists. It wasn’t until 2010 the group condensed to only Herrera-Prats and Graves, who have focused their individual practices under Camel Collective to address the problems of contemporary work and collaboration through performance, video, sculpture, and photography.
Colors:
Related works sharing similar palette
© » ARTS EQUATOR
Weekly Southeast Asia Radar: The future of The Projector; mask theatre Lakhon Khol | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via South China Morning Post April 29, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
Finding Ratna Asmara and the Herstory of Indonesian Cinema | ArtsEquator Skip to content The tale of a pioneering woman Indonesian filmmaker converges with the mission of a group of women film researchers, as Adrian Jonathan Pasaribu highlights how archives and historical records often render some stories invisible...
© » KADIST
KADIST San Francisco is pleased to welcome curator Yina Jiménez Suriel for a residency to support her research for the upcoming exhibition de montañas submarinas el fuego hace islas [from underwater mountains fire makes islands], opening in October 2023 at KADIST San Francisco, following its first iteration in collaboration with Pivô, São Paulo in 2022...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Malaysia mulls on Jawi calligraphy; racism in Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles File photo: Bernama August 8, 2019 ArtsEquator Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » THEARTNEWSPER
Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Looted art news Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Disagreement centred over whether the painting, looted in 1868 and later sold to a private collector in Portugal, should be bought by the government and returned to Ethopia Martin Bailey 5 February 2024 Share The remarkably well-preserved Kwer’ata Re’esu was taken during the British military offensive in Ethiopia in 1868 Photo: © Martin Bailey, The Art Newspaper...
© » THEARTNEWSPER
Is censorship on the rise in the West? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast Is censorship on the rise in the West? Plus, Frank Auerbach at the Courtauld and an Indian painting from Howard Hodgkin’s collection Hosted by Ben Luke ...
© » ARTS EQUATOR
A sound collaboration: 宿 (stay) at Sydney Festival 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Guido Gonzalez January 31, 2020 By Maria Herminia Graterol Garrido (571 words, 4-minute read) There is a huge difference between watching a great piece of theatre with a beautiful original score, and experiencing a process that gives equal importance to all the creative aspects, including sound...
© » ARTS EQUATOR
“Invisible Habitudes”: The Personal Goes Political Goes Global | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng June 4, 2019 By Nabilah Said (621 words, three-minute read) On a Monday afternoon in Goodman Arts Centre, I am watching a group of dancers working...
© » THE GUARDIAN
‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures | Art and design | The Guardian Skip to main content The artisans ‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures Will Shakspeare’s Christmas baubles...
© » LENS CULTURE
Patria - Photographs by Oleñka Carrasco | Interview by Valeria Posada-Villada | LensCulture Feature Patria Oleñka Carrasco’s latest photobook and exhibition at the Rencontres d’Arles recounts how grief prompted her search for a lost connection with the house and land in which she grew up — Venezuela...
