Channel I: 54:00 minutes, Channel II: 74:00 minutes
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history. Incorporating footage and speeches from the infamous 1937 exhibitions, Degenerate Art and First Great German Art Exhibition , views of the city’s destruction from June 1945, and texts on Otl Aicher’s graphic identity for the 20th Olympic Games in Munich in 1972, the film weaves together an open-ended narrative. This visual and textual material is set to music including techno playlists, contemporary EDM tracks, and Donna Summer’s disco classic, I Feel Love (1977), which the American singer recorded in Munich’s legendary Musicland studio. Through the juxtaposition of image, sound, and text fragments, Cokes exposes the roles of fascist cultural policy and postwar design strategies. This interconnection of moments from Munich’s history continues Cokes’s multi-decade investigation of the relationships between power structures, racist ideologies, and image politics. Initially conceived for his solo exhibition encompassing the Kunstverein Munchen and the Haus der Kunst, Cokes developed Some Munich Moments 1937–1972 to approach and respond to the history of the two institutions. At the same time, it speaks to Cokes’s larger approach to creating site-responsive rather than site-specific works, which meld his ongoing research interests with particular troubled histories. In its original iteration, the work was installed within separate spaces on different loops, connecting with his attention to the malleability of display frameworks. A milestone within Cokes’s body of work, Some Munich Moments 1937–1972 speaks beyond its original context to address urgent contemporary questions of art, design, visual representation, and politics unfolding across the world today.
Since the 1990s, Tony Cokes’s video works generate complex layers of meaning through the juxtaposition of basic elements such as language and sound. Typically, he animates existing texts from disparate sources—including academic writing, popular news media, and even spoken or written “rants” by public figures—and sets these words to pre-existing music. Although this format appears straightforward, his specific choices of text and music are often disjunctive, encouraging a deeper engagement with the materials. Cokes’s signature format belies a larger intention to tackle challenging social issues such as race, urban politics, and murky histories in multivocal, nonreductive ways. Starting from the accessible material of pop music and found text, his artworks open up ways of reading and listening that can speak to many different audiences.
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Anne Deguelle — L’Arctique fantôme Exposition Photographie À venir Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme Dans environ 2 mois : 27 janvier → 17 février 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
QALQALAH 1, an editorial project by Kadist Art Foundation and Bétonsalon – Centre for Art and Research, Paris >>> To download in the “Attachment section” on the right side of the page In echo of their respective programs, Kadist Art Foundation and Bétonsalon – Centre for Art and Research are launching the joint publication Qalqalah , a “reader” gathering contributions from artists and researchers on a variety of interlinked issues...
Kimbell Art Museum acquires important cultural touchstone of Olmec art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Kimbell Art Museum acquires important cultural touchstone of Olmec art The jade statuette of an Olmec ruler holding a baby were-jaguar will be exhibited as the centrepiece of the Texas museum's ancient American collection Theo Belci 14 December 2023 Share Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC) Photo: Justin Kerr., courtesy of the Justin Kerr Maya archive, Dumbarton Oaks, Trustees for Harvard University, Washington, DC The Kimbell Art Museum in Fort Worth, Texas, has acquired Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC), a jade statuette at the centre of Olmec civilisation studies since the mid-20th century...
Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
Bill Viola | Royal Albert Memorial Museum & Art Gallery Discover the work of internationally renowned video artist Bill Viola at Exeter’s Royal Albert Memorial Museum & Art Gallery (RAMM) ARTIST ROOMS Bill Viola presents three works from the ‘Passions’, a series of video works created between 2000 and 2002 that explore human emotions...
© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
The top ArtsEquator articles of 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles NEON December 31, 2020 Below is a list of the top 10 ArtsEquator articles in 2020, in random order: An Elder Millennial’s Guide to Classic Singapore TV & Movies by Joel Tan Published on: 20 Aug 2020 “Purists are undecided on when exactly Singapore TV died, but I think 2007, when Phua Chu Kang wrapped, and 2015, when Tanglin started, might be a good gauge...
Wretchedness and absurdity: Thoughts on Bong Joon-ho's Parasite | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles NEON February 18, 2020 By Teo You Yenn (760 words, 4-minute read) I watched Bong Joon-ho’s award-winning film Parasite later than most people I know, and after many people had told me I had to see it...
Zaha Hadid Architects Unveil Hydrogen Refueling Station, and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
In the video No Not Nothing Never , a group of 23 domestic fans arranged in a mountainous desert landscape, move in perfect synchrony...
Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s...