Approximately 240 x 440 cm, video 30 min
To make the video installation Soft Staycation (Gaze Track Edit) , the artist, playing the role of ‘job creator’, hired a group of unemployed and expat freelancers through Craigslist to watch a 30 minute compilation of national tourism ads. These ads, which are generally sponsored by various publicly funded tourism boards and screened in airports for example, were found on the Internet by Keller. He used a gaze-tracking camera to measure the eye movements of the people participating in the experiment. Despite the relentlessness of the source, the subjects define zones of attention that the camera records. Instead of using the gathered gaze data for any specific research purpose, the consumptive gaze is transmuted onto the video itself, creating an ensemble of light spots and shadows. The film is screened on a large LED screen, the same kind used for advertisement purposes. By staging a typical marketing study, the artist points out the persisting automatisms of consumer-spectators, while the flexible LED curtain makes it quite a sculptural and hypnotic piece.
Daniel Keller belongs to a generation of artists born at the end of the 1980s, nourished by digital imagery, who have participated in the social networks as a communication strategy, combining the public and the private spheres; a logical heir to the “entrepreneur” artist of 1990-2000. Interested in the existence of the artwork on the Internet, as another – or even an extension – exhibition space, Daniel Keller believes in the participation of the public as a critical authority, who can comment, post, re-post the artwork, etc. He reappropriates participatory strategies (for example using charity bands) that find a new echo with the Internet crowdfunding. In his works and his collaborative projects (AIDS-3D), Keller merges art and technology (including the use of new materials) with special attention to social and ecological issues.
Pico Iyer and Raffles Hotel, or the Nowhere Hotel | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Derek Shapton; Epigram Books January 21, 2020 Celebrated writer Pico Iyer spent fifteen days in Singapore last August doing a residency at the newly reopened Raffles Hotel as its first official writer-in-residence...
Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guillaume Chamahian — Détritique 2 Exhibition Photography, mixed media, video Upcoming Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 In 2 days: Wednesday, December 20, 2023 3 PM → 9 PM Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
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How the Singapore literary ecosystem tackles mental health | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 27, 2021 By Sarah Tang (1,450 words, 5-minute read) cw: Contains mentions of suicide There appears to be more local books and writing about mental health in the Singapore lit scene in recent years...
ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Connexion Newsletter Twitter Facebook ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour ALICEGAVINSERVICES™ Exposition Design, graphisme, techniques mixtes Derniers Jours Alice Gavin, ALICEGAVINSERVICES™, sans titre Crédit photo : Léonard Méchineau ALICEGAVINSERVICES™ Encore 6 jours : 14 septembre → 17 décembre 2023 Cet automne, dans le cadre de sa saison dédiée au design graphique, la MABA présente, du 14 septembre au 17 décembre, une exposition consacrée à ALICEGAVINSERVICES™...
From the Beginning by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes...
ANCER Lab 03 Manila: How arts managers are surviving COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Mah Jun Yi and Low Pey Sien November 22, 2021 By Wennie Yang (1,200 words, 4-minute read) Pandemic restrictions have put arts and cultural workers and institutions in a bind: choosing between sustaining their missions at times of a global pandemic or ceasing operations altogether...
Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Roberta Smith on the Power of Donald Judd’s Criticism – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 28, 2020 1:04pm A page from ARTnews ’s October 1959 issue featuring Donald Judd's review of Yayoi Kusama's show at Brata Gallery...
This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...