Sin Titulo
2011 - Sculpture (Sculpture)
Engel Leonardo
As with so many other colonized geographies, the ways in which violence has become a natural and expected component of Santo Domingo reflects the forced friendship between the beneficiaries and residues of Modernism. What distinguishes these two communities? What separates them? Bars, naturally. In this untitled work, Engel cages everyday household items in steel bars as a metaphor for this condition. Only those who have something valuable to protect can afford such restrictive barring systems, which are viewed almost as status symbols. Even when they are unnecessary, their ubiquity creates a sinister picture of success. Not only does the proliferation of these bars negate their own visibility, but it also points to a paranoid future where everything one owns becomes “embellished” as something to be seen but not used.
Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean. His works show a particular investment in objects—their gestures, and their creation and production processes—as well as to the psychological and sociological discourses implicit within them. Engel carries out continual processes of research and observation of his environment. From the city of Santo Domingo, where he lives and works, to the peripheral urban centers and remote rural communities of the island, which he has visited on multiple occasions, his artistic production and daily experience are closely linked.
Colors:
Related works sharing similar palette
© » KADIST
Emma Wolukau-Wanambwa
2005A short video about Tate Modern by Emma Wolukau-Wanambwa depicts just two shots, both featuring the artist...
© » KADIST
Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » KADIST
Rometti Costales
2019Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile...
© » KADIST
Nicolás Paris
2012Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
© » KADIST
Nazgol Ansarinia
2013In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
© » KADIST
Gan Chin Lee
2019In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
© » THEARTNEWSPER
Dutch artist Anneke Eussen’s border-questioning sculpture acquired by the city of Miami Beach Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Dutch artist Anneke Eussen’s border-questioning sculpture acquired by the city of Miami Beach The purchase is part of the city’s annual programme to acquire a work from Art Basel in Miami Beach Elena Goukassian 9 December 2023 Share A visitor to Art Basel in Miami Beach looks at Anneke Eussen’s It’s Alright (2023) on Document's stand Liliana Mora The citizens of Miami Beach have spoken, and the annual municipal Legacy Purchase Program selection from this year’s Art Basel in Miami Beach fair is Anneke Eussen’s It’s Alright (2023), a wall-mounted sculpture that will join previously acquired works on permanent display at the Miami Beach Convention Center...
© » KADIST
Andrea Bowers
2010The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
© » KADIST
Milena Bonilla
2009Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
© » 1854 PHOTOGRAPHY
Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...
© » LENS CULTURE
49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...
© » KADIST
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
© » ARTFORUM
Title, Theme Announced for Sixth Aichi Triennale – Artforum Read Next: ART BASEL REVEALS EXHIBITOR LIST FOR 2024 SWISS FAIR Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » KADIST
Bruce Conner
1995Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
© » KADIST
John Wood and Paul Harrison
1996One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...