1:22 minutes
Silhouette in the Graveyard is part of a suite of animated videos by Chitra Ganesh titled The Scorpion Gesture . All five videos incorporate figures and themes from Buddhist mythology and dialogue directly with artworks from the Rubin Museum, for which the videos were originally produced.? The central figure of Silhouette in the Graveyard is Maitreya, the Future Buddha, whose arrival on Earth was prophesied to usher in a new age. Merging digital animation and imagery from contemporary news media, the video depicts Maitreya’s evolution and movements through psychedelic and celestial landscapes while their silhouette mirrors news footage of civil protest, natural disasters, violence, and suffering. Ganesh’s video draws parallels between the myth of Maitreya’s apocalyptic arrival and the social, political, and ecological crises of contemporary life. As it is now commonplace to be inundated daily with imagery of turmoil, unrest, and catastrophe, the artist observes that the chaos associated with Maitreya’s accession offers an analogy for the varied forms of upheaval that saturate the news and social media.
Spanning printmaking, sculpture, and video, Chitra Ganesh’s work draws from broad-ranging material and historic reference points, including surrealism, expressionism, Hindu, Greek and Buddhist iconographies, South Asian pictorial traditions, 19th-century European portraiture and fairy tales, comic books, song lyrics, science fiction, Bollywood posters, news and media images. The process of automatic writing is central to the practice of the Indian-American artist and emerges from dissecting myths to retrieve critical moments of abjection, desire, and loss. By layering disparate materials and visual languages, Ganesh considers alternate narratives of sexuality and power.
An exercise of privilege: "The Class Room" at M1 Peer Pleasure 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Zinkie Aw August 18, 2019 By Adeeb Fazah (1,400 words, 6-minute read) When I signed up for The Class Room , a participatory theatre piece created and facilitated by veteran theatre practitioners Li Xie, Kok Heng Leun and Jean Ng, I was expecting a thought-provoking experience, with meaningful exchanges with people from different walks of life about issues of poverty...
Naama Tsabar: Work On Felt (Variation 2) and (Variation 11) Black , presented in partnership with the San Francisco Museum of Modern Art Thursday, December 14, 2023, 6 and 7 pm Experience the synergy of art, sound, and movement in a new performance composed by Naama Tsabar and local collaborators that engages sculptural works from the artist’s ongoing series Work on Felt ...
Images is a two channel video work addressing the relationship between art and ritual...
Mad women, divine punishment, and “Dionysus” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Arts House Limited June 4, 2019 By Corrie Tan (1,700 words, eight-minute read) This review contains spoilers and/or plot points for The Bacchae, a 2,500-year-old ancient Greek tragedy; Beware of Pity, a 1939 German novel adapted for the stage by the Schaubühne Berlin and Complicité; as well as the final season of the fantasy television epic Game of Thrones, which concluded last month after an eight-year run...
Drinks at 6pm, event at 7pm Poet and curator Franck André Jamme will read from his new book of poems To the Secret (La Presse, 2015) and discuss with BAM/PFA Director, Lawrence Rinder , his involvement with the tradition of Tantric art as well as his curatorial contribution to the groundbreaking 1989 exhibition, Magiciens de la terre ...
Fiery Red Sky Makes for Unique Light Paintings at Uyuni Salt Flats Home / Photography Striking Light Paintings Set Against a Fiery Red Sky at Bolivia’s Uyuni Salt Flat By Jessica Stewart on December 8, 2023 The collaboration between visual artist Eric Paré and contemporary dancer Kim Henry continues as the duo traveled to Bolivia's Uyuni Salt Flats (Salar de Uyuni)...
Valentin Guillon — Hors-jeu — Les églises centre d'art de Chelles — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Valentin Guillon — Hors-jeu — Les églises centre d'art de Chelles — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Valentin Guillon — Hors-jeu Exposition Installations, techniques mixtes Valentin Guillon, © Valentin Guillon Valentin Guillon Hors-jeu Encore 2 mois : 3 février → 14 avril 2024 Après deux propositions en regard et en dialogue direct avec les Eglises, le troisième volet de cette saison s’intitule « Hors-jeu »...