MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication. In the series, Rogan alters the magazine’s pages by erasing the image of the magicians doing their tricks, leaving only the background of their performances on view. These contexts range from the more overtly staged scenario in Silencer #16 —the erased magician is about to perform a trick on his assistant trapped on an odd, almost dada looking box—to the more “colloquial” Silencer #17 in which the absent magician’s silhouette appears in what seems to be a children’s hospital. Rogan’s interventions attest to their own creation by way of the subtle marks and erasure used to remove the original visual information. Such evidence of the artist’s hand echoes the magician’s sleight-of-hand in the image and suggests the illusory character of all representation. By extension, the remaining white voids are uncanny, ghostly stand-ins for the performer and artist who both haunt the scene.
Based in the San Francisco Bay Area, Will Rogan’s practice reflects the poignant, the ironic, the disastrous, and the beautiful in his surrounding urban and domestic landscapes. In the form of photography, video, and sculpture, his interventions often highlight the profound and analytical in everyday life. Taking a playful stance on mundane situations and structures, Rogan’s work merges the critical with the poetic. He is also the co-editor and founder of the quarterly journal of editions, The Thing .
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Takeshi Murata developed an interest in space inspired by his architect parents...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Will Rogan’s video Eraser (2014) shows a hearse parked in a clearing amidst leaf barren trees...
Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
During the week after the the 8th Festival de Performance de Cali (20-24 November 2012), San Francisco will become the setting of a multi-venue series of events organized by the Cali-based collective Helena Producciones (Wilson Díaz, Claudia Patricia Sarria-Macías, Ana María Millán, Andres Sandoval Alba, and Gustavo Racines)...
By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements...
Drinks 6pm, event 7pm On the occasion of the exhibition Marion Gray: Within the Light at the Oakland Museum of California, and in collaboration with the exhibition’s curator, Christina Linden and performance historian Lydia Brawner, Kadist presents an evening of improvisational performance by local artists...