Sideways Time
2016 - Sculpture (Sculpture)
52.75H x 17.75W x 22.15D inches
Olivia Erlanger
Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity. Consumption and the construction of value are a frequent concern of her sculptures that explore the structural friction between a public and private. Erlanger looks to the architecture that connects these systems for inspiration and in this sense, the language of scaffoldings, foundations and facades that percolate throughout her work. As the artist has stated: “Anything that can be built simultaneously holds the potential to fall.” The filing cabinet is a romantic artifact from a pre-cloud based society, designed to give order to personal and impersonal information as well as receipts or small ephemera that document diurnal shifts in value, stacking this information vertically and horizontally giving time a spatial dimension or body. Filled with bentonite clay, a material known for its purifying quality, the cabinets have sheets of porcelain newspapers on the top and off to the side. Sections are cut out, seemingly blown away, as if the contents imploded, revealing the architectural system which failed to organize and contain it. A red light glows inside, subtly adjusting in intensity according to a live stream of data on oil prices. The information regarding this ever shifting commodity seeps out, escaping the confines of the cabinet’s form.
Olivia Erlanger is a New York based artist that works between sculpture and conceptual art. She studied Sculpture and Literature at Lewis and Clark College and Parsons School of Design. Recent exhibitions include Seventeen, London, UK; Fluxia, Milan, Italy; Balice Hertling at The Film Center, New York; Marbriers 4, Geneva, Switzerland; Important Projects, Oakland, CA; Center, Berlin, Germany; and AIRBNB Pavilion, Venice, Italy. Erlanger also co?directs the New York project space, Grand Century, with Dora Budor and Alex Mackin Dolan.
Colors:
Related works sharing similar palette
© » KADIST
Gimhongsok
2007To explore the boundaries between artwork and audience, Gimhongsok created a series of sculptural performances in which a person wearing an animal costume poses in the gallery...
© » KADIST
Fernando Palma Rodríguez
2015Aqua by Fernando Palma Rodríguez is an installation formed by four gourds and one movement detector that activates them...
© » KADIST
Ali Cherri
2017As a discipline born at the same time as colonialism, archeology is struggling to rid itself of this sad context...
© » ARTS EQUATOR
It’s Time for French Museums to Return Cambodian Artifacts (via The Diplomat) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Flickr/ Jean-Pierre Dalbéra December 28, 2018 The debate as to whether international museums and governments should return cultural artifacts acquired during the colonial period is not a new one...
© » KADIST
Mazenett Quiroga
2019Gente Serpiente (Serpent People) is a piece made with the wheels of bikes, twisted, intertwined and painted like skins of tropical poisonous snakes...
© » ARTSY
Inside Roxane Gay and Debbie Millman’s Stunning Art Collecttion in New York and Los Angeles - Artsy Art Market Inside My Collection: Roxane Gay and Debbie Millman Ayanna Dozier Apr 2, 2022 9:34am Ayanna Dozier Apr 2, 2022 9:34am Roxane Gay is known for her laser-sharp wit in cultural criticism and nonfiction works, but lesser known is her growing practice as an art collector...
© » KADIST
Elad Lassry
2013In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
© » KADIST
Women Art Revolution Alicia Smith, Amapola Prada, Claudia Joskowicz, Clarisse Hahn, Fang Lu, Laura Huertas Millán, Lynn Hershman Leeson, siren eun young jung Women Art Revolution draws a selection of works from the KADIST collection that aim to initiate conversations around women’s issues, feminism, and feminist art...
© » KADIST
Andrew Ekins
2018Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...