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In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects. Capitalizing and commenting on the ubiquity of homemade video, the short film replicates with banal proximity the amateur special effects that thrive on the web. This rather cliched visual trick recalls a funhouse mirror, or, perhaps more aligned with Cortright’s frame of reference, a dream-sequence cue from after-school 90s television. As with several of her other webcam works, Sickhands is characterised by its playful and honest approach to self-portraiture in a ‘post-internet’ context.
Whether for a gallery or online audience, Petra Cortright uses the Internet as a medium, source, context and place where her work unravels. She is best known for her self-portrait videos created with a domestic webcam and then uploaded onto YouTube. The various effects that she applies to the clips are sourced from a variety of webcam softwares she has collected over the years. In her work, Cortright is the director, the actor, the editor all at once—allowing her to playfully explore ideas of the self and the body as it is represented in the digital realm, as well as the formal qualities of low-fi, homemade video. In more recent works, Cortright combines photos, gifs, memes, games, animation and even pornography sourced from the internet, mixing various forms of expression as means to meditate on the social ramifications of the medium. Cortright also creates 2D works—primarily Photoshop-based paintings transferred onto aluminum, linen, paper, or acrylic—where she overlays hundreds of digital layers composed by found samplings to simulate brush strokes.
An Interview with Curator Katerina Gregos | Observer Since the Greek curator Katerina Gregos was appointed the artistic director of Athens’ National Museum of Contemporary Art in 2021, she has not only helped transform it and build its collection but also helped cement its place on the global cultural map...
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An exercise of privilege: "The Class Room" at M1 Peer Pleasure 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Zinkie Aw August 18, 2019 By Adeeb Fazah (1,400 words, 6-minute read) When I signed up for The Class Room , a participatory theatre piece created and facilitated by veteran theatre practitioners Li Xie, Kok Heng Leun and Jean Ng, I was expecting a thought-provoking experience, with meaningful exchanges with people from different walks of life about issues of poverty...
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Rediscovered Rembrandt Portraits May Be the Artist’s Smallest Paintings Skip to content Rembrandt Harmenszoon van Rijn, portraits of Jan van der Pluym and Jaapgen Caerlsdr (1635), oil on panel, each 7 7/8 x 6 1/2 inches (all photos by Olivier Middendorp, courtesy Rijksmuseum) Emerging from private holdings for the first time in nearly two centuries, a rediscovered pair of Rembrandt portraits is now on a long-term loan for public display at the Rijksmuseum in Amsterdam...
A “mata ni pachedi” is a piece of painted textile that depicts narrative images of goddesses...