Sickhands
2011 - Film & Video (Film & Video)
0:24 minutes
Petra Cortright
In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects. Capitalizing and commenting on the ubiquity of homemade video, the short film replicates with banal proximity the amateur special effects that thrive on the web. This rather cliched visual trick recalls a funhouse mirror, or, perhaps more aligned with Cortright’s frame of reference, a dream-sequence cue from after-school 90s television. As with several of her other webcam works, Sickhands is characterised by its playful and honest approach to self-portraiture in a ‘post-internet’ context.
Whether for a gallery or online audience, Petra Cortright uses the Internet as a medium, source, context and place where her work unravels. She is best known for her self-portrait videos created with a domestic webcam and then uploaded onto YouTube. The various effects that she applies to the clips are sourced from a variety of webcam softwares she has collected over the years. In her work, Cortright is the director, the actor, the editor all at once—allowing her to playfully explore ideas of the self and the body as it is represented in the digital realm, as well as the formal qualities of low-fi, homemade video. In more recent works, Cortright combines photos, gifs, memes, games, animation and even pornography sourced from the internet, mixing various forms of expression as means to meditate on the social ramifications of the medium. Cortright also creates 2D works—primarily Photoshop-based paintings transferred onto aluminum, linen, paper, or acrylic—where she overlays hundreds of digital layers composed by found samplings to simulate brush strokes.
Colors:
Related works sharing similar palette
© » OBSERVER
An Interview with Curator Katerina Gregos | Observer Since the Greek curator Katerina Gregos was appointed the artistic director of Athens’ National Museum of Contemporary Art in 2021, she has not only helped transform it and build its collection but also helped cement its place on the global cultural map...
© » KADIST
Sanya Kantarovsky
2015Wrong Currency (Monday, Tuesday, Wednesday, Thursday, Friday) by Sanya Kantarovsky uses the stylistic vernacular of five separate artists to create a series of five lithographs, dealing with a series of apparently unrelated happenings, each staged as one “day.” The series takes up Kantarovsky’s theme of embarrassment across a variety of scenes, each populated by multiple figures, set in a disjunctive relation...
© » KADIST
Auriea Harvey
2018Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical...
© » AMERICANSFORTHEARTS
Americans for the Arts Partners with Free People to Advocate for the Importance of Arts in Early Public Education | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Americans for the Arts Partners with Free People to Advocate for the Importance of Arts in Early Public Education Hello Guest | Login Americans for the Arts Partners with Free People to Advocate for the Importance of Arts in Early Public Education Thursday, November 3, 2022 Americans for the Arts and lifestyle brand Free People today announced a first-time partnership, which includes a Creative Spirit Fund that empowers public school arts educators to fund the next generation of diverse creators...
© » ART & OBJECT
Artist Tracey Emin Elected to British Museum Board, and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » HYPERALLERGIC
The Pantone Color of the Year “Conspiracy,” Explained Skip to content Viva Magenta-tinted dollar bills against a Peach Fuzz background (edit Valentina Di Liscia/ Hyperallergic ) The holiday season has always been more than just a special time to spend with loved ones, as corporations seize the moment to create memorable marketing campaigns that will have the public talking well into the new year...
© » ARTS EQUATOR
Weekly Picks: Indonesia (25 June - 1 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia June 25, 2018 Top Picks of Indonesia art events in Bali and Jakarta from 25 June – 1 July 2018 What would cultural heritage look like beyond the western perspective? Journey around East Timor’s Local Heritage is a lecture by Dominique Guillaud that looks at Atauro Island, an island in East Timor, and its heritage...
© » KADIST
Frequencies of Tradition at the Guangdong Times Museum, curated by Hyunjin Kim With works by Yoeri Guépin, Ho Tzu Nyen, Chia Wei Hsu, siren eun young jung, Jane Jin Kaisen, Alexander Keefe in collaboration with Ashoke Chatterjee and Liz Phillips, Tomoko Kikuchi, Ayoung Kim, Hwayeon Nam, Ko Sakai and Ryusuke Hamaguchi, Lieko Shiga, Simon Soon in collaboration with Stella and Roger Nelson, Stephanie Spray and Pacho Velez, Erika Tan, Fiona Tan, Evelyn Taocheng Wang, Ming Wong, Yo Daham, and Zheng Guogu The exhibition explores the turbulence of imperialism, colonialism, and nation-state building and its impact on tradition, and how it continues to manifest in our lives today...
© » KADIST
Sarah Navqi
2019A “mata ni pachedi” is a piece of painted textile that depicts narrative images of goddesses...
© » KADIST
Tessa Mars
2022In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience...
© » LENS CULTURE
Del Cielo - Photographs by Jo Ann Callis, Masahisa Fukase, James Gallagher, Graciela Iturbide, Rinko Kawauchi and James Gallagher | Exhibition review by Sophie Wright | LensCulture Feature Del Cielo This group exhibition explores the age-old symbol of the bird, gathering together the work of five photographers who each explore this shared winged subject matter in their own distinct visual language...
© » ARTS EQUATOR
Mad women, divine punishment, and “Dionysus” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Arts House Limited June 4, 2019 By Corrie Tan (1,700 words, eight-minute read) This review contains spoilers and/or plot points for The Bacchae, a 2,500-year-old ancient Greek tragedy; Beware of Pity, a 1939 German novel adapted for the stage by the Schaubühne Berlin and Complicité; as well as the final season of the fantasy television epic Game of Thrones, which concluded last month after an eight-year run...
© » ARTS EQUATOR
An exercise of privilege: "The Class Room" at M1 Peer Pleasure 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Zinkie Aw August 18, 2019 By Adeeb Fazah (1,400 words, 6-minute read) When I signed up for The Class Room , a participatory theatre piece created and facilitated by veteran theatre practitioners Li Xie, Kok Heng Leun and Jean Ng, I was expecting a thought-provoking experience, with meaningful exchanges with people from different walks of life about issues of poverty...