Shisa Dog and Chicken

2015 - Film & Video (Film & Video)

João Maria Gusmão and Pedro Paiva


The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion. This film, shown in continuous loop, has a run-time of just under 3 minutes, and is presented without sound. It captures a traditional Shisa (combination of a dog and lion from Okinawan mythology) animated by an invisible person. Meanwhile chickens walk or flutter across the screen. The slow motion footage combines centuries old ceremony with daily life, to produce an otherworldly situation. The film was co-commissioned with REDCAT in Los Angeles, for an exhibition entitled One month without filming , curated by Ruth Estévez.


Portuguese artists João Maria Gusmão and Pedro Paiva have been collaborating since 2001. They typically work in short film, sculpture and installation. Their films often use slow-motion and other uncomplicated effects to achieve uncanny or paranormal results.


Colors:



Related works sharing similar palette  
» see more

Vernissage : Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver
© » SLASH PARIS

Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exposition Dessin, edition, film, installations.....

Opening : Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver
© » SLASH PARIS

Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exhibition — Slash Paris Login Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exhibition Drawing, publishing, film, installation.....

Page 2123, The New World Physical Map
© » KADIST

Hong Hao

2000

Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s...

Creative Time’s First Think Tank Now Public
© » CREATIVETIME

Creative Time's First Think Tank Now Public - Creative Time Creative Time’s First Think Tank Now Public March 3rd, 2022 Tweet Email For the past year, the Think Tank has served as an incubator and forum for reframing conversations and decision making processes, premised on an understanding of arts and cultural spaces as necessary points of intervention toward wider societal transformation...

Related works found in the same semantic group  
» see more

Sojourner
© » KADIST

Cauleen Smith

2018

Set to the iconic and spiritual music of Alice Coltrane’s Turiyasangitananda (1937–2007), Cauleen Smith’s film Sojourner travels across the US to visit a series of sites important to an alternative and creative narrative of black history...

Exploring The End Of The Golden Era Of Singapore Cinema
© » ARTS EQUATOR

Exploring The End Of The Golden Era Of Singapore Cinema Thinking and Talking about Arts and Culture in Southeast Asia Film February 24, 2022 By ArtsEquator (1,001 words, 3-minute read) Films as a medium and art form have always possessed great potential to convey crucial messages and influence the cultural zeitgeist of their times...

Microfilm
© » KADIST

Julien Crépieux

2012

Julien Crépieux is interested in the medium of video and its confrontation with cinema...