She’s gone
2009 - Film & Video (Film & Video)
3 min loop
Jay Chung and Takeki Maeda
Jay Chung and Q Takeki Maeda remake a clip from the 1970s they found on the internet, and without really changing this archive material, displace it by imitating the staging and the acting with scrupulous precision. The slightest details are reproduced identically with great minutiae. The facial expressions are absurd, the prim attitude makes no sense. The blasé air of the actors (the artists themselves) creates a comic and ridiculous shift. This work is typical of Chung and Maeda’s artistic strategy in which the hoax is a pretext for rereading and although the artists are staging themselves, they are also intent on becoming absent. In this literal video remake, the artists question the modes of diffusion of images, copying, artistic territory, legitimacy and paternity.
Jay Chung and Takeki Maeda’s practice is characterized by performance, which often involves weighty unsettling humour. Concerned by popular and digital culture, art speculation and self-criticism they play with their presence and retreat, creating some emptiness which is conducive to reflexion. They are known for their definition of new artistic territories and the chosen format is always extremely varied. There is a certain anthropological aspect to their approach, a precise gaze, attentive as they are to the context in which their new work articulates itself.
Colors:
Related works sharing similar palette
© » KADIST
El Hadji Sy
1981El Hadji Sy is an important figure in the critical movement that followed Lépold Sedar Senghor´s Négritude ideology...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Japanese ska in Saigon, experimental music in Yangon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Alberto Prieto via Saigoneer April 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » KADIST
Leslie Shows
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
© » LENS CULTURE
The Truth is in the Soil - Photographs by Ioanna Sakellaraki | Essay by Cat Lachowskyj | LensCulture Award winner The Truth is in the Soil Prompted by personal loss, Ioanna Sakellaraki embarked on a photographic journey back to her native Greece to immerse herself in the culture of grief and explore its liminal space with her camera...
© » FRANCE24
Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows - arts24 Skip to main content Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows Issued on: 03/11/2023 - 15:44 11:25 arts24 © FRANCE 24 By: Solène CLAUSSE | Marion CHAVAL | Magali FAURE | Clémence DELFAURE | Alison SARGENT | Loïc CHALAVON | Sonia PATRICELLI Akeem Smith grew up between Brooklyn, New York and Kingston, Jamaica, where his aunt and grandmother were figures of the city's dancehall culture...
© » KADIST
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
© » ARTS EQUATOR
Weekly Southeast Asian Radar: Malaysia reopens theatres; playwright Alfian Sa'at dragged into politics | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar DPAC June 25, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » KADIST
Yee I-Lann
20207-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
© » KADIST
Risham Syed
2022Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
© » SOUTH CHINA MORNING POST
How to get lucky in the Year of the Dragon: money, colours, clothing, food | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Worshippers pray at Wong Tai Sin Temple in Hong Kong on the fourth day of the Lunar New Year holidays on January 25, 2023...
© » LARRY'S LIST
Cheng Xindong's contemporary art collection on display in Beijing - CGTN ABOUT US Home China World World Asia-Pacific Americas Europe Middle-East and Africa Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World World Asia-Pacific Americas Middle-East and Africa Europe Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World Asia-Pacific Americas Europe Middle-East and Africa Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World Asia-Pacific Americas Middle-East and Africa Europe Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Download Art 19:59, 21-Dec-2020 A snapshot of globalization: Cheng Xindong's contemporary art collection on display in Beijing By Ding Siyue Share Copied 02:32 Tsinghua University Art Museum is hosting an exhibition for the renowned Chinese art collector Cheng Xindong...
© » KADIST
Raymond Pettibon
2007The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
