12H x 9W inches
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity . Currently housed at City College of San Francisco as a permanent installation, for a time it was in storage and not on public display. During the same period, he created the charcoal sketchentitled Shasta (1940), of large construction machinery that the artist saw near the Mount Shasta dam. He noted the dam and construction equipment as playing a role also in the lives of those living in South Americas.
Diego Rivera was one of the most important artists of the 20th century. He lived and worked for most of his life in Mexico, although he also traveled extensively to such places as Russia, America, France, and Spain. He was (twice) married to the (also extremely famous) Mexican painter Frida Kahlo. Rivera catalyzed the Mexican mural movement in the early part of the century, pushing the national art into a new, socially aware era. He is most famous for his large-scale murals, frescoes, and artistic collaborations that spoke to labor issues, unions, and political radicalism.
Weekly Southeast Asia Radar: Rashomon in KL; Burmese cartooning pioneers | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar TRBANPHOTO March 5, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Illusions of home, and the hyper-capitalism behind technology, explored in show by Hong Kong artist who finally feels at home … in Finland | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A still from Everything is a Projection (2023), a video in which Hong Kong-born, Finland-based artist Sheung Yiu explains what it felt like to rediscover childhood comic books and how he tried and failed to preserve their essence...
‘Poor Things’ Review: An Anarchic, Artistic Celebration of Life | KQED Skip to Nav Skip to Main Skip to Footer The Do List ‘Poor Things’ Is a Gloriously Anarchic Celebration of Life Without Limits Rae Alexandra Dec 5 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Emma Stone as Bella Baxter in ‘Poor Things.’ (Searchlight Films) If you happen across a film critic this week who insists that Poor Things is a bad movie, please make a mental note that a) they are lying, and b) they’re probably being a contrarian because they know every other critic on Earth is going to fall over themselves with glee to sing this movie’s praises...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Weekly Picks: Indonesia (9 - 15 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 9, 2018 Top Picks of Indonesia art events in Bali, Yogyakarta and Jakarta from 9 – 15 July 2018 Titian Art Space in Bali presents the exhibition Mokoh for the house of Mondo ...
End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...
Ghosts on the roof : Conversations about art, fossils, and spectra , with Víctor Costales and art historian, Ana María Risco The conversation between Víctor Costales of the artistic duo Rometti Costales and art historian, Ana María Risco will reflect on the artists’ intervention on the site of the Museo de la Solidaridad Salvador Allende (MSSA), for the exhibition Song for a chanting fossil (Canción para un fósil canoro) ...
Picasso — Dessiner à l’infini — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Picasso — Dessiner à l’infini — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Picasso — Dessiner à l’infini Exhibition Drawing, print, lithography / engraving Upcoming Pablo Picasso, Portrait de Françoise, 1946 Dation Pablo Picasso, 1979 © Musée national Picasso-Paris (inv MP1351), © Succession Picasso 2023 Picasso Dessiner à l’infini In 3 months: October 18, 2023 → January 15, 2024 À l’occasion de la célébration des cinquante ans de la mort de Pablo Picasso, le Centre Pompidou organise « Picasso...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Mabel Cetu: A Complicated Legacy | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Female Pioneers Mabel Cetu: A Complicated Legacy L’autrice Ethel-Ruth Tawe s’interroge sur les multiples récits liés au travail photojournalistique de Mabel Cetu, en particulier l’analyse de Stephanie Jason développée dans Centring Silences autour de l’absence de Cetu dans les archives...
For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago...
Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint - The New York Times Arts | Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint https://www.nytimes.com/2024/02/12/arts/chagall-moma-return-over-vitebsk.html Share full article 25 Advertisement SKIP ADVERTISEMENT For years, “Over Vitebsk” occupied a central place in the collection of the Museum of Modern Art, which spoke of Marc Chagall’s painting of his hometown in the Russian empire as an important part of its holdings...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
Study of History V by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
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