104 x 156 cm
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests. Using the fences as a symbol of change, Sokchanlina’s work warns of an uncertain future where local realities with their communities, culture, and nature will slowly fade away. – Text by Sachiko Iwase
Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes. Using different strategies, he calls attention to various social, political, geopolitical, economic, cultural, and environmental changes in Cambodia, and in relation to the globe. Lim Sokchanlina also belongs to a Khmer generation critically aware of the need to inform Cambodian youth of their cultural, social, and political histories. His work raises questions about the role of power and economics in our everyday living and contemporary present and usually involves research to discover, unpack, and record the present’s history and the future’s imagination by learning from the past. Growing up in a society decimated by the affects of the Khmer Rouge and its anti-intellectualization, a violent civil war that killed millions, Lina co-founded Stiev Selapak / Art Rebels, in 2007 (an initiative which gave subsequent birth to exhibition space ‘Sa Sa Art Projects’ and commercial space ‘Sa Sa Bassac’) – a community within Southeast Asia well-known for their activities raising local awareness of civic, environmental and cultural injustice. – Text by Sa Sa Bassac and Zoe Butt
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Title, Theme Announced for Sixth Aichi Triennale – Artforum Read Next: ART BASEL REVEALS EXHIBITOR LIST FOR 2024 SWISS FAIR Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art Matthew Barney, Cremaster 5 (production still), 1997 (fig...
Met Museum to Return 16 Looted Khmer Artifacts Skip to content Unknown artist, "Head of Buddha" (7th century), sandstone, 24 x 13 x 12 3/4 inches (all photos courtesy the Metropolitan Museum of Art) An ancient larger-than-life sandstone Buddha head, a bronze sculpture of a seated Bodhisattva Avalokiteshvara, and a 10th-century goddess statuette from a remote temple complex are among 16 looted Khmer works currently in the process of repatriation back to Cambodia and Thailand, according to announcements by the Metropolitan Museum of Art and the US Attorney’s Office for the Southern District of New York (SDNY) released today, December 15...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing Center Names Olivia Shao Inaugural Burger Collection & TOY Meets Art Curator – Artforum Read Next: AMY HAU TO LEAD NOGUCHI MUSEUM Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...