Sea, Sihanoukville, Wrapped Future II Series

2018 - Photography (Photography)

104 x 156 cm

Lim Sokchanlina


The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests. Using the fences as a symbol of change, Sokchanlina’s work warns of an uncertain future where local realities with their communities, culture, and nature will slowly fade away. – Text by Sachiko Iwase


Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes. Using different strategies, he calls attention to various social, political, geopolitical, economic, cultural, and environmental changes in Cambodia, and in relation to the globe. Lim Sokchanlina also belongs to a Khmer generation critically aware of the need to inform Cambodian youth of their cultural, social, and political histories. His work raises questions about the role of power and economics in our everyday living and contemporary present and usually involves research to discover, unpack, and record the present’s history and the future’s imagination by learning from the past. Growing up in a society decimated by the affects of the Khmer Rouge and its anti-intellectualization, a violent civil war that killed millions, Lina co-founded Stiev Selapak / Art Rebels, in 2007 (an initiative which gave subsequent birth to exhibition space ‘Sa Sa Art Projects’ and commercial space ‘Sa Sa Bassac’) – a community within Southeast Asia well-known for their activities raising local awareness of civic, environmental and cultural injustice. – Text by Sa Sa Bassac and Zoe Butt


Colors:


Other related works, blended automatically  
» see more

Bokor Casino, Kampot Province, Wrapped Future II Series
© » KADIST

Lim Sokchanlina

2017

The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...

Related works sharing similar palette  
» see more

The Drawings of Catriona Secker
© » HIGH FRUCTOSE

In her graphite drawings and paintings, Catriona Secker finds inspiration in biology textbooks and vintage natural history tomes...

Interview with Lenio Kaklea
© » KADIST

Choreographer and dancer Lenio Kaklea introduces her 2017 solo piece A Hand’s Turn ...

Body of Objects
© » KADIST

Dale Harding

2018

Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...

Untitled (Figure no. 1)
© » KADIST

Oren Pinhassi

2020

Oren Pinhassi’s work examines the relationship between the human figure and the built environment...

Other works by: » Lim Sokchanlina  
» see more

Bokor Casino, Kampot Province, Wrapped Future II Series
© » KADIST

Lim Sokchanlina

2017

The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...

Sea, Kep Province, Wrapped Future II Series
© » KADIST

Lim Sokchanlina

2018

The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...

Bokor mountain, Kompot Province, Wrapped Future II Series
© » KADIST

Lim Sokchanlina

2017

The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...

Mekong River, Stung Treng Province, Wrapped Future II Series
© » KADIST

Lim Sokchanlina

2018

The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...

Related works found in the same semantic group  
» see more

Yoke
© » KADIST

Diane Simpson

2012

Simpson’s sculptural practice connects architecture, clothing, furniture and the body to explore the functional and sociological roles and the influence of the design and architecture of various cultures and periods in history...

Cybercriminals Hacked One of Italy’s Hottest Galleries—And Duped a German Collector Into Sending $33,000 to a Fake Account - via artnet news
© » LARRY'S LIST

More than a dozen collectors and advisors were contacted by someone pretending to be the directors of T293 gallery....

La semeuse d’étoiles
© » KADIST

Papa Ibra Tall

During the years of President Senghor, Papa Ibra Tall was influential in the cultural dimension of Senegalese politics, participating in the implementation of the Dakar School, a movement of artistic renewal born at the dawn of the country’s independence between 1960 and 1974 and which was encouraged by President Senghor...

Baobab
© » KADIST

Tacita Dean

2001

The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...