The lecture performance, Screen Green takes the telecast of a speech made by the Prime Minister of Singapore, Lee Hsien Loong, during which he was pictured against a homogenous green backdrop commonly used for visual effects or post-production in film, as a point of departure. Taking the lush, botanical landscape of Singapore, administered through a series of governmental gardening efforts, Ho offers a speculative narrative through the metaphor of a space of future possibilities that are simultaneously a method to limit and modulate its citizens.
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture. Ho’s work investigates the emergence, transmission, and disappearance of images within the contexts of liberal hospitality, participatory democracy, and speculative futures. Questioning the borders between pedagogy and artistic practice, image and meaning, Ho’s artistic output diverges from traditionally structured postcolonial critique, proposing new frameworks for artistic and scholarly innovation. Breaking from Western avant-garde paradigms of performance lecture as immanent critique, Ho’s practice generally explores the latent potential in imaginatively refigured pedagogy as both a medium and subject. His performances are intricate, genealogical tracings of the means by which diverse images of power across Asia find surprising relations, moving freely across topics and sources. His works are often installed as sculptural extensions to his performance lectures, incorporating additional mediating factors for the audience’s experience, including idiosyncratic seating, backdrops, or physical props.
Bringing you the best of Berlin Fashion Week AW24 Womenswear | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Feature From Sia Arnika and SF 1 OG, to Shayne Oliver’s Anonymous Club, here’s everything that went down at the German city’s fashion fair 10 February 2024 Text Elliot Hoste Berlin Fashion Week AW24 35 It might have been founded 17 years ago, but Berlin Fashion Week is a relative newborn in comparison to its Big Four siblings...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Kosmic Music is a musical score comprised of two parts: a single mixed media drawing titled Colors and Satellites, and a pair of mixed media drawings titled Koral Reef ...
Walking Alongside “BITTEN: return to our roots” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asrari Nasir of Paradise Pictures December 19, 2018 By Teo Xiao Ting (1,420 words, seven-minute read) Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong Bugis, I spot a crew member sweeping the rainwater from the late afternoon downpour clear from the path that I will later walk on...
Reeder’s works often start with language—and his Pasta Paintings are no different...
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...
Her collage works are made from the pages of glossy lifestyle magazines, from which the artist identifies colors, forms, and textures that she reconstitutes into rich, abstract compositions...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
Life off the beaten track: 32 years in a remote, car-free village on Hong Kong’s Lantau Island | South China Morning Post Life off the beaten track: 32 years in a remote, car-free village on Hong Kong’s Lantau Island Books and literature A cartoonist and writer waxes lyrical about his rural village and its colourful local characters, and how little has changed in his 32 years there Larry Feign + FOLLOW Published: 7:15am, 3 Feb, 2024 Why you can trust SCMP Half a lifetime ago, I moved to Wang Tong, on Lantau Island...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...